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Showing below keyword matches in entire database for "visual arts—20th C":
| Araeen, Rasheed. “The Other Immigrant: The Experiences and Achievements of Afro-Asian Artists in the Metropolis.” In Pinder (Collections): pp. 359-370. [2002] | |
| Social Sciences | |
| Keywords: Anthony Caro | immigration | race studies | social sciences | visual arts—20th C | |
| Belloli, Jay. “Contemporary Art and the Cosmos.” In Belloli (Collections), pp. 94-107. [2001] | |
| Physical & Mathematical Sciences | |
| Keywords: physical and mathematical sciences | visual arts—20th C | |
| Bergan, Tone. “Er Det Teknologien Som Styrer Kreativiteten, Eller er Det Kreativiteten Som Styrer Teknologien? Visuelt 6 (2002): 28-9. | |
| Computers & Digital Technology | |
| Keywords: aesthetics | Andreas Pfeiffer | computers and digital technology | creativity | ethics | literature—20th-21st C | literature—electronic | technology | visual arts—20th C | |
| Berwick, Carly. “Screen Savers.” ARTnews 101.8 (Sept. 2002): 124-125. | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | conservation | internet | museums | technology | visual arts—20th C | Visual arts—electronic | |
| Bolton, Christopher. “The Mecha's Blind Spot: Patlabor 2 and the Phenomenology of Anime.” Science Fiction Studies. 29:3 (Nov. 2002): 453-474. | |
| Popular Sciences | |
| Keywords: anime | film | popular sciences | robots | science fiction | technology | theory | vision | visual arts—20th C | Vivian Sobchack | |
| Candy, Linda. “Creativity and Cognition Part I: Perspectives from the Third Symposium.” Leonardo 35:1 (2002): 55-7. | |
| Psychological & Cognitive Sciences | |
| Keywords: cognition | Ernest Edmonds | Harold Cohen | psychological and cognitive sciences | technology | visual arts—20th C | |
| Chadwick, Andrew. “Murray Edelman.” In May (Collections): pp. 43-64. [2002] | |
| Science & Technology Studies | |
| Keywords: architecture | gender studies | George W. Bush | internet | Marxism | Murray Edelman | mythology | politics | politics | poststructuralism | Psychological & Cognitive Sciences | rhetoric of science | science and technology studies | social sciences | symbolism | technology | visual arts—20th C | |
| Clark, Shari Jill. The Science in Modernist Literature: Degeneration, Dynamics and Demons . Ph.D. Dissertation: Texas Tech University, 2001. | |
| Rhetoric of Science | |
| Keywords: David Porush | Ezra Pound | film/TV | Fritz Lang | Joseph Conrad | metaphor | modernism | narrative | Psychological & Cognitive Sciences | rhetoric of science | visual arts—20th C | |
| Cleverly, Jason, Christian Heath, Jon Hindmarsh, Paul Luff, Dirk vom Lehn, and Avril Henry. “Computer-graphics and the Literary Construct: A Learning Method.” British Journal Educational Technology 33.1 (Jan. 2002): 7-15. | |
| Computers & Digital Technology | |
| Keywords: computer graphics | computers and digital technology | diagramming | literature—20th C | literature—electronic | pedagogy | Psychological & Cognitive Sciences | rhetoric of science | theory | visual arts—20th C | |
| Cohen, Harold. “A Self-defining Game for One Player: On the Nature of Creativity and the Possibility of Creative Computer Programs.” Leonardo 35.1 (2002): 59-64. | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | creativity | memory | technology | visual arts—20th C | Visual arts—electronic | |
| Collins, Lisa Gail. “Visible Roots and Visual Routes: Art, Africanisms, and the Sea Islands.” Rutgers Art Review 19 (2001): 75-99. | |
| Exploration Discovery & Travel | |
| Keywords: exploration discovery & travel | minority studies | visual arts—20th C | |
| Corwin, Sharon Lynn. Selling "America": Precisionism and the Rhetoric of Industry, 1916--1939 . Ph.D. Dissertation: University of California, Berkeley, 2001 . | |
| Rhetoric of Science | |
| Keywords: advertisements | Charles Sheeler | exhibitions | Georgia O'Keefe | landscape | Margaret Bourke-White | photography | precisionism | rhetoric of science | social sciences | technology | visual arts—20th C | |
| Crosland, Maurice. “Popular Science and the Arts: Challenges to Cultural Authority in France under the Second Empire.” BJHS 34 (2001): 301-322. | |
| Popular Sciences | |
| Keywords: literature—19th C | popular sciences | visual arts—20th C | |
| Daubner, Ernestine. “Manipulating Genetic Identities: The Creation of Chimeras, Cyborgs and (Cyber-)golems.” Parachute 105 (Jan.-March 2002): 84-91. | |
| Computers & Digital Technology | |
| Keywords: Bible | Biological Sciences | biotechnology | computers and digital technology | Eduardo Kac | Eve | genetics | golem | Kabbalah | Lilith | mutation | rhetoric of science | social sciences | Sonya Rapoport | theory | transgenics | visual arts—20th C | visual arts—interactive | |
| Dennithorne Johnston, Paul. “Writing to Tell: A Spoonful of Fiction.” ETC: Review General Semantics 59:3 (Fall 2002): 260-268. | |
| Popular Sciences | |
| Keywords: popular sciences | relativity | science fiction | semantics | visual arts—20th C | |
| DeWitt, John. Cool Cars, High Art: The Rise of Kustom Kulture . Jackson, MS: University Press of Mississippi, 2001. | |
| Technology | |
| Keywords: popular sciences | technology | visual arts—20th C | |
| Dijck, José van. “Bodyworlds: The Art of Plastinated Cadavers.” Configurations 9 (2001): 99-126. | |
| Medicine | |
| Keywords: medicine | visual arts—20th C | |
| Enwezor, Okwui. “Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation.” In Pinder (Collections), pp. 371-390. [2002] | |
| Social Sciences | |
| Keywords: Aimé Césaire | Candice Breitz | Edward Said | Frantz Fanon | Pipa Skotness | race studies | rhetoric of sciences | Sigmund Freud | social sciences | theory | visual arts—20th C | |
| Fetveit, Arild. “Reality TV in the Digital Era: A Paradox in Visual Culture.” In Friedman (Collections): pp. 155-184. [2002] | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | digitalization | documentary | Dziga Vertov | John Tagg | photography | technology | television | visual arts—20th C | |
| Fisher, Jean. “In Search of the ‘Inauthentic’: Disturbing Signs in Contemporary Native American Art.” In Pinder (Collections): pp. 331-340. [2002] | |
| Rhetoric of Science | |
| Keywords: Frantz Fanon | James Luna | Jimmy Durham | native Americans | race studies | rhetoric of science | social sciences | visual arts—20th C | |
| Fornäs, Johan, Kajsa Klein, Martina Ladendorf, Jenny Sundén, and Malin Sveningsson. “Into Digital Borderlands.” In Fornäs (Collections): pp. 1-47. [2002] | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | gender studies | hypertext | internet | J.D. Bolter | literature—20th C | MUDs | social sciences | theory | virtual reality | visual arts—20th C | |
| Fortunati, Vita. “The Aging Body: A Controversial Imaginary.” In Carpi (Collections), pp. 57-73. [2001] | |
| Medicine | |
| Keywords: aging | literature—20th C | medicine | visual arts—20th C | |
| Franklin, Marianne. “Walter Benjamin.” In May (Collections): pp. 12-42. [2002] | |
| Science & Technology Studies | |
| Keywords: aesthetics | cyborgs | Donna Haraway | film | internet | Marxism | Marxism | mysticism | mythology | philosophy | photography | popular sciences | propaganda | science and technology studies | science fiction | social sciences | technology | Theodore Adorno | theory | visual arts—20th C | Walter Benjamin | war | |
| Gauchet, Marcel. “Redefining the Unconscious.” Thesis Eleven 71:11 (November 2002): 4-23. | |
| Theory | |
| Keywords: Occult Sciences | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | subjectivity | theory | unconsciousness | visual arts—20th C | |
| Gilman, Sander. “The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality.” In Pinder (Collections): pp. 119-138. [2002] | |
| Social Sciences | |
| Keywords: Eduoard Manet | evolution | Émile Zola | gender studies | Havelock Ellis | Hottentot Venus | icon | race studies | Sigmund Freud | social sciences | visual arts—20th C | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | theory | visual arts—20th C | William Shakespeare | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | technology | visual arts—20th C | William Shakespeare | |
| Hirsch, Edward. The Demon and the Angel: Searching for the Source of Inspiration. New York: Harcourt, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: Billie Holiday | creativity | Federico Garcia Lorca | inspiration | psychological and cognitive sciences | visual arts—20th C | |
| Hooks, Bell. “Alters of Sacrifice: Re-membering Basquiat.” In Pinder (Collections): pp. 341-351. [2002] | |
| Social Sciences | |
| Keywords: Booker T. Washington | Fred Braithwaite | Jean-Michel Basquiat | museums | Pablo Picasso | race studies | social sciences | Thomas McEvilley | visual arts—20th C | |
| Hotchkiss, Lia M. “The Incorporation of Word as Image in Peter Greenaway’s Prospero’s Books.” In Starks (Colletions): pp. 95-120. [2002] | |
| Rhetoric of Science | |
| Keywords: drama | film | literature—20th C | Peter Greenaway | rhetoric of science | technology | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | theory | utopias | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | technology | utopias | visual arts—20th C | William Shakespeare | |
| Jiménez, José. “Presente y futuro de arte.” In Molinuevo, pp. 31-49. [2001] | |
| Theory | |
| Keywords: Science Studies | theory | visual arts—20th C | |
| Kostelnick, Charles. “’ Melting-Pot‘ Ideology, Modernist Aesthetics, and the Emergence of Graphical Conventions: The Statistical Atlases of the United States, 1874-1925.” Defining Visual Rhetorics. Eds. Charles A. Hill, and Marguerite Helmers. Mahwah, NJ: Lawrence Erlbaum, 2004. 215-242. | |
| Rhetoric of Science | |
| Keywords: Psychological & Cognitive Sciences | rhetoric of science | visual arts—20th C | |
| Liberatore, Virginia. Performing the Passions Between Classical and Modern Epistemes: Text and Photography in Duchenne de Boulogne's 'Mecanisme de la physionomie humaine. Ph.D. Dissertation: New York University, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: aesthetics | allegory | Charles Darwin | Duchenne de Boulogne | medicine | mimesis | narrative | photography | postmodernism | psychological and cognitive sciences | visual arts—20th C | visual rhetoric | |
| Longstreth, Richard, ed. The Charnley House: Louis Sullivan, Frank Lloyd Wright, and the Making of Chicago's Gold Coast. Chicago: University Chicago Press, 2004. | |
| Technology | |
| Keywords: architecture | class studies | Frank Lloyd Wright | Louis Sullivan | photography | social sciences | technology | technology | visual arts—20th C | |
| Lucie-Smith, Edward. “Androgyny, Computers and Freud.” Art Review 53 (Dec. 2001-Jan. 2002): 84-5. | |
| Computers & Digital Technology | |
| Keywords: androgyny | computers and digital technology | dreams | exhibitions | Georgii Gurianov | museums | Olga Tobreluts | sculpture | Sigmund Freud | Timur Novikov | visual arts—20th C | Visual arts—electronic | |
| Lustig, Harry, and Kirsten Shepherd-Barr. “Science as Theater.” American Scientist 90:6 (Nov.-Dec. 2002): 550-556. | |
| Popular Sciences | |
| Keywords: alchemy | allegory | Ben Jonson | Bertolt Brecht | Biological Sciences | C.P. Snow | Charles Darwin | Christopher Marlow | drama | ethics | evolution | George Bernard Shaw | Hallie Flanagan | literature—Renaissance | metaphor | metaphor | Michael Frayn | nuclear power | Paul Mullin | Physical Sciences | physics | popular sciences | social sciences | technology | Timberlake Wertenbaker | Tom McGrath | visual arts—20th C | |
| Mondado, Francesco, and Skye Legon. “Interactions between Art and Mobile Robotic System Engineering.” In Gomi (Collection ) , pp. 121-137. [2001] | |
| Technology | |
| Keywords: robotics | technology | visual arts—20th C | |
| Monnet, Livia. “Towards the Feminine Sublime, or the Story of ‘ATwinkling Monad, Shape-shifting across Dimension’: Intermediality, Fantasy and Special Effects in Cyberpunk Film and Animation.” Japan Forum 14:2 (Sept. 2002): 225-268. | |
| Popular Sciences | |
| Keywords: aesthetics | Andy Wachowski | animation | cyberpunk | fantasy | film | gender studies | Larry Wachowski | Oshii Mamoru | popular sciences | Psychological & Cognitive Sciences | science fiction | theory | visual arts—20th C | |
| Peterson, Ivars. Fragments of Infinity: A Kaleidoscope of Math and Art . New York: John Wiley, 2001. | |
| Physical & Mathematical Sciences | |
| Keywords: architecture | Brent Collins | fractals | geometry | Helaman Ferguson | M. C. Escher | physical and mathematical sciences | Robert Stamp Longhurst | visual arts—20th C | visual arts—computer art | |
| Philogene, Jerry. Visual Narratives of Cultural Memory and Diasporic Identities: Two Contemporary Haitian American Artists, Small Axe 8 (September 2004): 84-99. | |
| Social Sciences | |
| Keywords: culture studies | identity | memory | Psychological & Cognitive Sciences | social sciences | visual arts—20th C | |
| Pinder, Kymberly N. “Biraciality and Nationhood in Contemporary American Art.” In Pinder (Collections): pp. 391-402. [2002] | |
| Social Sciences | |
| Keywords: La Malinche | Lorraine O’Grady | Pablo Picasso | race studies | Robert Colescott | Sally Hemmings | social sciences | Tiger Woods | visual arts—20th C | |
| Prickett, Stephen. “From Babylonian Railway Stations to Manic Toads: Children's Book Illustration in the Early Twentieth Century.” In Carpi (Collections), pp. 139-146. [2001] | |
| Technology | |
| Keywords: literature—children's | technology | visual arts—20th C | |
| Rahn, Janice, Painting Without Permission: Hip-hop Graffiti Subculture. Westport, CN: Bergin & Garvey, 2002. | |
| Social Sciences | |
| Keywords: race studies | social sciences | visual arts—20th C | |
| Reynolds, Bryan. “Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare.” In Starks (Collections): pp. 143-164. [2002] | |
| Occult Sciences | |
| Keywords: Charles Manson | drama | film | Gilles Deleuze | literature—20th C | Occult Sciences | Roman Polanski | technology | visual arts—20th C | William Shakespeare | witchcraft | |
| Rogers, David E. “Embracing the Range.” In Pfenninger (Collections), pp. 47-57. [2001] | |
| Medicine | |
| Keywords: medicine | Science Studies | visual arts—20th C | |
| Schnauber, Cornelius. “Kandinsky, Schoenberg, and Einstein: Constructive Modernism before World War II.” In Belloli (Collections), pp. 82-93. [2001] | |
| Physical & Mathematical Sciences | |
| Keywords: Albert Einstein | Arnold Schoenberg | physical and mathematical sciences | visual arts—20th C | Wassily Kandinsky | |
| Shetley, Vernon, and Alissa Ferguson. “Reflections in a Silver Eye: Lens and Mirror in Blade Runner ” Science Fiction Studies 28(2): 66-76, 2001. | |
| Physical & Mathematical Sciences | |
| Keywords: allegory | androids | film/TV | Jan van Eyck | memory | optics | Philip K. Dick | photography | physical and mathematical sciences | Psychological Sciences | science fiction | symbolism | visual arts—20th C | |
| Sommerer, Christa, and Laurent Mignonneau. “Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-line Art.” Leonardo 35:2 (2002): 161-9. | |
| Computers & Digital Technology | |
| Keywords: Christa Sommerer | computers and digital technology | evolution | internet | Laurent Mignonneau | rhetoric of science | theory | visual arts—20th C | Visual arts—electronic | visual arts—interactive | |
| Starks, Lisa S. “Cinema of Cruelty: Powers of Horror in Julie Taymor’s Titus.” In Starks (Collections): pp. 121-142. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: Carol Clover | drama | film | gender studies | horror | Julia Kristeva | Julie Teymor | literature—20th C | psychological and cognitive sciences | technology | visual arts—20th C | William Shakespeare | |
| Stocker, Gerfried, and Christine Schopf. Kunst als Schauplatz globaler Konflikte. Ostfildern, Germany: Hatje Cantz, 2002. | |
| Technology | |
| Keywords: electronics | technology | visual arts—20th C | |
| Sundén, Jenny. “Cyberbodies: Writing Gender in Digital Self-presentations.” In Fornäs (Collections): pp. 79-111. [2002] | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | cybernetics | internet | literature—20th C | MUDs | narrative | rhetoric of science | social sciences | theory | visual arts—20th C | |
| Suzuki, Akira. Do Android Crows Fly Over the Skies of an Electronic Tokyo?: The Interactive Urban Landscape of Japan. London: Architectural Association, 2001. | |
| Technology | |
| Keywords: architecture | popular sciences | social sciences | technology | visual arts—20th C | |
| Sveningsson, Malin. “Cyberlove: Creating Romantic Relationships on the Net.” In Fornäs (Collections): pp. 48-78. [2002] | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | E. Goffman | internet | literature—20th C | M. Lea | R. Spears | S. Turkle | social sciences | visual arts—20th C | |
| Swan, Tony. Retro Ride: Advertising Art of the American Automobile. Portland, OR: Collectors Press, 2002. | |
| Technology | |
| Keywords: advertising | automobiles | technology | visual arts—20th C | |
| Van Dijck, José. Bodyworlds: The Art of Plastinated Cadavers,” Configurations: A Journal of Literature, Science, and Technology Vol 9, no. 1 (Winter 2001): 99-126. | |
| Medicine | |
| Keywords: aesthetics | anatomy | ethics | eugenics | exhibitions | Gunther Von Hagens | medicine | sculpture | visual arts—20th C | |
| Wehr, Wesley. The Accidental Collector: Art, Fossils, and Friendships. Seattle: University Washington Press, 2004. | |
| Biological Sciences | |
| Keywords: Bill Cumming | biography | Biological Sciences | Elizabeth Bishop | fossils | Guy Anderson | Helmi Juvonen | Jay Steensma | Mark Tobey | Morris Graves | museums | Otto Seligman | Richard Selig | Susanne Langer | Theodore Roethke | visual arts—20th C | Zoe Dusanne | |
| West, Cornel. “Horace Pippin’s Challenge to Art Criticism.” In Pinder (Collections): pp. 321-330. [2002] | |
| Theory | |
| Keywords: Bessie Smith | Horace Pippin | race studies | social sciences | theory | visual arts—20th C | William H. Johnson | |
| Whitehouse, Roger. “The Designer is Dead, Long Live the Designer.” Communication Arts 44:3 (July 2002): 170-178. | |
| Theory | |
| Keywords: aesthetics | COMP | internet | lithography | technology | theory | Tibor Kalman | typography | visual arts—20th C | |
| Wilson, Judith. “Sargent Johnson: Afro-California Modernist.” In Pinder (Collections): pp. 307-320. [2002] | |
| Social Sciences | |
| Keywords: Elizabeth Prophet | Henry Ossawa Tanner | modernism | museums | race studies | Sargent Johnson | social sciences | visual arts—20th C |