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Showing below keyword matches in entire database for "video":
Edmonds, Ernest. “Structure in Art Practice: Technology as an Agent for Concept.” Leonardo 35:1 (2002): 65-71. | |
Theory | |
Keywords: Ernest Edmonds | exhibits | hypermedia | internet | Maddy Aldis | music | rhetoric of science | technology | theory | video | visual arts—20th-21st C | Visual arts—electronic | |
Falkenberg, Merrill Brooke. Circuits of Exchange: The Myth of Interactivity in Video Art. Ph.D. Dissertation: Stanford University, 2002. | |
Technology | |
Keywords: Bill Biola | body art | Bruce Nauman | cameras | computers | conceptual art | Dan Graham | film | Gary Hill | Joan Jonas | Martha Rosler | minimalism | museums | performance art | Peter Campus | postmoderinism | technology | video | visual arts--20th C | Vito Acconci | |
McCarthy, Kevin F. From Celluliod to Cyberspace: The Media Arts and the Changing Arts World. Santa Monica, CA: Rand Corporation, 2002. | |
Computers & Digital Technology | |
Keywords: art—20th C | computers and digital technology | film | TECH | video | |
Redmond, Dennis. The World is Watching: Video as Multinational Aesthetics, 1968-1995. Carbondale: Southern Illinois University Press, 2004. | |
Technology | |
Keywords: aesthetics | culture studies | ethnic studies | film | gaming | gender studies | Hideaki Anno | Krzysztof Kieslowski | literature—20th C | Patrick McGoohan’ | popular science | science fiction | social sciences | technology | television | theory | video | |
Trushell, John. “Mirages in the Desert: The War of the Worlds and Fin du Globe.” Extrapolation 43:4 (Winter 2002): 439-455. | |
Social Sciences | |
Keywords: apocolypse | dystopia | H. G. Wells | Orson Welles | radio | social sciences | video |