| | |
Showing below keyword matches in entire database for "music":
| Antokoletz, Elliott. Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding of the Unconscious. New York & Oxford: Oxford University Press, 2004. | |
| Social Sciences | |
| Keywords: aesthetics | ambiguity | Bela Balazs | Béla Bartók | Claude Debussy | drama | emotion | fate | gender studies | Maurice Maeterlinck | metaphor | music | philosophy | Psychological & Cognitive Sciences | social sciences | symbolism | theory | unconscious | |
| Bailey, Melanie Ann. "Cultivating a Common Sense of Enlightenment: Mid-Nineteenth-century Parisian Opera and Science Journalists Envisage a Modern Nation." Ph.D. Dissertation: University North Carolina, Chapel Hill, 2003. | |
| Literature, Science & the Arts | |
| Keywords: class studies | journalism | metaphors | modernism | music | nationalism | opera | parables | social sciences | |
| Barenboim, Daniel, and Edward W. Said. Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books, 2002. | |
| Social Sciences | |
| Keywords: aesthetics | anti-semitism | Ludwig van Beethoven | music | philosophy | Richard Wagner | social sciences | war | World War II | |
| Becker, Judith O. Deep Listeners: Music, Emotion, and Trancing. Bloomington: Indiana University Press, 2004. | |
| Social Sciences | |
| Keywords: consciousness | culture studies | emotion | music | neuroscience | Psychological & Cognitive Sciences | social sciences | trance | |
| Bertoloni Meli, Domenico. The Role of Numerical Tables in Galileo and Mersenne. Perspectives on Science 12 (Summer 2004): 164-190. | |
| Physical & Mathematical Sciences | |
| Keywords: Galileo Galilei | harmony | Marin Mersenne | mathematics | music | physical & mathematical sciences | theory | |
| Bohlman, Philip Vilas.The Music of European Nationalism: Cultural Identity and Modern History. Santa Barbara, CA: ABC-CLIO, 2004. | |
| Social Sciences | |
| Keywords: culture studies | ethnomusicology | music | nationalism | social sciences | theory | |
| Böhme, Gernot. Licht und Zeit. München: Fink, 2004. | |
| Physical & Mathematical Sciences | |
| Keywords: identity | light | music | nationalism | physical & mathematical sciences | physics | social sciences | time | visual art: 20th C | |
| Brackett, John Lowell, Jr. "The Philosophy of Science as a Philosophy of Music Theory." Ph.D. Dissertation: University North Carolina, Chapel Hill, 2003. | |
| Literature, Science & the Arts | |
| Keywords: Benjamin Boretz | Biological Sciences | Matthew Brown | Michael Kassler | Milton Babbitt | music | philosophy | science and technology studies | theory | |
| Brandfonbrener, Alice G., and James M. Kjelland. Music Medicine. In Parncutt (Collections): pp. 83-98. [2002] | |
| Medicine | |
| Keywords: medicine | music | pain | Psychological & Cognitive Sciences | risk | therapy | |
| Briggs, John. “Where's the Poetry? Consciousness as a Flight of Three Blackbirds.” In Pylkkanen (Collections), pp. 157-178. [2001] | |
| Theory | |
| Keywords: literature—general | metaphor | mind | music | poetry | Psychological & Cognitive Sciences | theory | |
| Burgos, Hugo D. Eeriness in the Air: Modernity's Soundscape. Ph.D. Dissertation: University Iowa, 2004. | |
| Technology | |
| Keywords: Computers & Digital Technology | culture studies | discourse | eeriness | Leo Theremin | media | Michel Foucault | modernity | music | narrative | perception | phonography | social sciences | sound | soundscape | technology | theory | Walter Benjamin | |
| Burns, Lori, and Melisse Lafrance. Disruptive Divas: Feminism, Identity and Popular Music. New York: Routledge, 2002. | |
| Social Sciences | |
| Keywords: gender studies | music | social sciences | |
| Butterfield, Ardis. Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut. Cambridge; New York: Cambridge University Press, 2002. | |
| Social Sciences | |
| Keywords: literature—medieval | music | social sciences | |
| Cassells, Caroline Irene. Le Violon de Delacroix: Musicality and Modernist Aesthetics. Ph.D. Dissertation: University Virginia, 2004. | |
| Social Sciences | |
| Keywords: aesthetics | culture studies | Eugène Delacroix | harmony | identity | mathematics | music | pedagogy | physical & mathematical sciences | Plato | social sciences | theory | |
| Cawelti, John G. Mystery, Violence, and Popular Culture: Essay.s Madison, WI: University Wisconsin Press/Popular Press, 2004. | |
| Social Sciences | |
| Keywords: aesthetics | Alfred Hitchcock | Andy Warhol | culture studies | gender studies | Homer | literature—classical-20th C | music | mystery | race studies | social sciences | Stuart Kaminsky | television | the Beatles | violence | William Faulkner | William Shakespeare | |
| Clark, Andrew Herrick. "Fibers, Organs, Lines, and Strings: A Study of Physiology and Aesthetics in the Works of Denis Diderot." Ph.D. Dissertation: Princeton University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: aesthetics | aesthetics | Albrecht von Haller | Biological Sciences | Denis Diderot | genius | geometry | identity | music | pedagogy | philosophy | physical and mathematical sciences | physiology | theory | visual arts-18th C | |
| Coste, Claude. “La cathédrale en musique.” In Prungnaud (Collections), pp. 263-273. [2001] | |
| Technology | |
| Keywords: architecture | music | technology | |
| Davison, Annette. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s. Aldershot, Hants, England & Burlington, VT: Ashgate, 2004. | |
| Social Sciences | |
| Keywords: culture studies | David Lynch | Derek Jarmason | film | Jean Luc Godard | music | social sciences | theory | |
| de La Fuente, Eduardo. “La filosofia weberiana del profeta e il compositore d'avanguardia.” Rassegna Italiana di Sociologia 42 (2001): 523-540. | |
| Social Sciences | |
| Keywords: Max Weber | music | social sciences | |
| Del Grosso Destreti, Luigi. “Dal pianoforte al computer. Appunti (con luci e ombre) per una sociologia della tastiere.” Critica Sociologica 137 (February-April 2001): 212-31. | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | music | |
| Deschenes, Bruno. “Partial Views and Universals: Comments of a Musician on ‘Art and the Brain.'” J Conscious St 8 (2001): 31-34. | |
| Psychological & Cognitive Sciences | |
| Keywords: music | psychological and cognitive sciences | theory | visual arts—general | |
| Dessauer, Carie. “New Media, Internet News, and the News Habit.” Society Online: The Internet in Context. Eds. Philip N. Howard, and Steve Jones. Thousand Oaks, CA: Sage, 2004. 121-136. | |
| Social Sciences | |
| Keywords: anthropology | gender studies | internet | music | new media | social sciences | technology | |
| Dierig, Sven. “Con Sordino for Piano and Brain: Bohemian Neuroscience in a 1900 Cultural Metropolis.” Configurations 9 (2001): 413-440. | |
| Psychological & Cognitive Sciences | |
| Keywords: August Strindberg | Carl Ludwig Schleich | Edvard Munch | music | psychological and cognitive sciences | Stanislaw Przybyszewski | |
| Dobrin, Sidney I, and Kenneth B. Kidd, eds. Wild Things: Children's Culture and Ecocriticism. Detroit: Wayne State University Press, 2004. | |
| Environmental Sciences | |
| Keywords: culture studies | ecocriticism | environmental sciences | Jim Henson | literature—children’s | media | music | social sciences | |
| Dowd, Timothy Jon, Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990. Social Forces 82 (June 2004): 1411-1455. | |
| Technology | |
| Keywords: ethnic studies | mass media | music | social sciences | technology | |
| Dundes, Alan. Bloody Mary in the Mirror: Essays in Psychoanalytic Folkloristics. Jackson: University Press Mississippi, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: folklore | music | psychoanalysis | psychological and cognitive sciences | |
| Duner, David Immanuel. Varldsmaskinen: Emanuel Swedenborgs Naturfilosofi. Ph.D. Dissertation: Lunds Universitet, 2004. | |
| Physical & Mathematical Sciences | |
| Keywords: acoustics | arithmetic | chemistry infinity | Emanuel Swedenborg | geometry | hydrology | literature—18th C | measurement | mechanics | mechanism | metaphysics | music | neurology | optics | philosophy | physical & mathematical sciences | physics | poetry | Psychological & Cognitive Sciences | science & technology studies | theory | |
| Edmonds, Ernest. “Structure in Art Practice: Technology as an Agent for Concept.” Leonardo 35:1 (2002): 65-71. | |
| Theory | |
| Keywords: Ernest Edmonds | exhibits | hypermedia | internet | Maddy Aldis | music | rhetoric of science | technology | theory | video | visual arts—20th-21st C | Visual arts—electronic | |
| Elleström, Lars. Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically. Lewisburg, PA: Bucknell University Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: allegory | ambiguity | Charles Dickens | Charles Dickens | Cleanth Brooks | deconstruction | Dmitry Shostakovich | drama | Eduard Hanslick | film | Friedrich Schlegel | hermeneutics | humor | hyperbole | irony | Linda Hutcheson | literature--general | Ludwig von Beethoven | Marcel Duchamp | metaphor | music | mysticism | myths | paradox | parody | postmodernism | psychological and cognitive sciences | René Magritte | rhetoric of science | Rudolf Arnheim | sarcasm | satire | semiotics | Socrates | Søren Kierkegaard | surrealism | symbolism | visual arts—general | William Shakespeare | |
| Engelman, Elysa Ream. "'The Face that Haunts Me Ever': Consumers, Retailers, Critics, and the Branded Personality of Lydia E. Pinkham." Ph.D. Dissertation: Boston University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: advertising | culture studies | gender studies | identity | Lydia E. Pinkham | medicine | music | pharmaceuticals | social sciences | trademarks | |
| Farnsworth, Rodney. Mediating Order and Chaos: The Water-Cycle in the Complex Adaptive Systems of Romantic Culture . Amsterdam and New York: Rodopi, 2001. | |
| Physical & Mathematical Sciences | |
| Keywords: J. M. W. Turner | Jean-Jacques Rousseau | Johann W. von Goethe | John Constable | literature—19th C | Lord George Gordon Byron | Luke Howard | music | Percy Bysshe Shelley | physical and mathematical sciences | Victor Hugo | visual arts—19th C | |
| Friberg, Anders, and Giovanni Umberto Battel. Structural Communication. In Parncutt (Collections): pp. 199-218. [2002] | |
| Rhetoric of Science | |
| Keywords: music | rhetoric of science | technology | |
| Gabbard, Krin. Black Magic: White Hollywood and African American Culture. New Brunswick, NJ: Rutgers University Press, 2004. | |
| Occult Sciences | |
| Keywords: Aaron Copland | culture studies | film | gender studies | jazz | magic | Marlon Brando | music | Occult Sciences | race studies | Robert Altman | social sciences | Spike Lee | technology | Thelonious Monk | |
| Gamwell, Lynn. Exploring the Invisible: Art, Science, and the Spiritual. Princeton, NJ: Princeton University Press, 2002. | |
| Biological Sciences | |
| Keywords: Alfred Einstein | art--17th-20th C | Biological Sciences | Charles Darwin | Isaac Newton | music | physical & mathematical sciences | Psychological & Cognitive Sciences | romanticism | surrealism | |
| Giggie, John M. “'When Jesus Handed Me a Ticket': Images of Railroad Travel and Spiritual Transformation among African Americans.” In The Visual Culture of American Religions, David Morgan and Sally M. Promey, eds., 249-266. Berkeley, CA: University of California Press, 2001. | |
| Technology | |
| Keywords: folklore | music | railroad | technology | visual arts—19th C | |
| Goble, Mark Anton. Ph.D. Dissertation: Stanford University, 2002. | |
| Technology | |
| Keywords: aesthetics | film | gender studies | Gertrude Stein | Henry James | James Agee | James Weldon Johnson | jazz | literature--20th C | modernity | music | race studies | technology | theory | William Carlos Williams | |
| Gouk, Penelope. “Making Music, Making Knowledge: The Harmonoius Universe of Athanasius Kircher.” In Stolzenberg (Collections), pp. 71-83. [2001] | |
| Technology | |
| Keywords: Athanasius Kircher | music | technology | |
| Graybosch, Anthony, and Marcel Daguerre. “Music and Morals in Newsletter on Philosophy and Computers.” American Philosophical Association Newsletters 2.1 (Fall 2002): 77-83. | |
| Computers & Digital Technology | |
| Keywords: aesthetics | computers and digital technology | music | visual arts--20th C | |
| Gussow, Adam. Seems Like Murder Here: Southern Violence and the Blues Tradition. Chicago: University Chicago Press, 2002. | |
| Social Sciences | |
| Keywords: music | race studies | social sciences | |
| Hamilton, Tracy Chapman. Pleasure, Politics, and Piety: The Artistic Patronage of Marie de Brabant. Ph.D. Dissertation: University Texas Austin, 2004. | |
| Social Sciences | |
| Keywords: Adenet le Roi | architecture | culture studies | genealogy | glass | Guillaume de Nangis | illuminated manuscript | literature—medieval | music | patronage | poetry | ritual | sculpture | social sciences | |
| Henderson, Clara. "When Hearts Beat Like Native Drums: Music and the Sexual Dimensions of the Notions of ‘Savage' and ‘Civilized' in Tarzan and His Mate, 1934.” Africa Today 48.4(2001): 91-124. | |
| Exploration Discovery & Travel | |
| Keywords: exploration discovery & travel | film/TV | music | stereotypes | |
| Hirsch, Edward. The Demon and the Angel: Searching for the Source of Artistic Inspiration. Orlando, FL: HarcourtBooks, 2002. | |
| Theory | |
| Keywords: aesthetics | Arthur Rimbaud | Billie Holiday | Christopher Maurer | dance | Dante Alighieri | Edgar Allan Poe | expressionism | Federico Garcia Lorca | Francisco José Goya | Frank O’Hara | Friedrich Wilhelm Nietzsche | Gerard Manley Hopkins | Ignacio Sánchez Meijías | Jackson Pollock | Johann Wolfgang von Goethe | John Keats | Mark Rothko | Miles Davis | music | Pablo Picasso | Percy Bysshe Shelley | poetry | Ralph Waldo Emerson | Ranier Maria Rilke | Robert Motherwell | surrealism | theory | visual arts—19th-20th C | W.B. Yeats | Wallace Stevens | Walt Whitman | William Carlos Williams | William Shakespeare | |
| Howard, Philip N., and Steve Jones, eds. Society Online: The Internet in Context. Thousand Oaks, CA: Sage, 2004. | |
| Technology | |
| Keywords: gender studies | internet | music | social sciences | technology | |
| Janowitz, Henry D. “The Transformation of Medicine by the Magic of Music in the Romances of Shakespeare .” J R Soc Med 94 (2001): 541-543. | |
| Medicine | |
| Keywords: medicine | music | William Shakespeare | |
| Jones-Wagner, Valentina Aimee. 'La Belle Helene de Constantinople': The Text of the Female Body in a Fourteenth-century Chanson de Geste. Ph.D. Dissertation: City University of New York, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: Biological Sciences | gender studies | literature—medieval | Mary Douglas | medicine | music | poetry | psychological and cognitive sciences | visual arts—medieval | |
| Judson, Janis L., and Donna M. Berlazzoni. Law, Media, and Culture: The Landscape of Hate. New York: Peter Lang, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: Carol Gilligan | Charles Lawrence | crime | Eminem | gender studies | hate | Jack Levin | Kathleen Blee | Ku Klux Klan | law | Mari Matsuda | Matt Hale | media | Monte Paulson | music | Nell Carter | politics | psychological and cognitive sciences | race studies | religion | stereotype | Steven Best | Stuart Hall | Toni Morrison | William Pierce | |
| Juslin, Patrik N., and Roland S. Persson. Emotional Communication. In Parncutt (Collections): pp. 219-236. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: cognition | computers | emotion | metaphor | music | psychological and cognitive sciences | social sciences | statistics | |
| Kane, Thomas Henry. "Last Acts: Automortography and the Cultural Performance of Death in the United States, 1968-2001." Ph.D. Dissertation: University Virginia, 2003. | |
| Literature, Science & the Arts | |
| Keywords: AIDS | Arthur Ashe | autobiography | Bill T. Jones | Charles Bukowski | death | Donald Barthelme | drama | elegy | ethics | identity | Kathy Acker | literature--20th, 21st C | Martin Luther King, Jr. | melancholia | mourning | music | postmodernism | psychological and cognitive sciences | Raymond Carver | Thomas Yingling | Tom Joslin | Tupac Shakur | |
| Katz, Mark. Capturing Sound: How Technology Has Changed Music. Berkeley: University California Press, 2004. | |
| Technology | |
| Keywords: aesthetics | cyberspace | jazz | music | technology | Thomas Edison | |
| Kemp, Anthony E., and Janet Mills. Musical Potential. In Parncutt (Collections): pp. 3-16. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: music | psychological and cognitive sciences | |
| King, Stephen A. Reggae, Rastafari, and the Rhetoric of Social Control. Jackson: University Press Mississippi, 2002. | |
| Rhetoric of Science | |
| Keywords: music | rhetoric of science | social sciences | |
| Kotamráju, Nalini P. “Art Versus Code: The Gendered Evolution of Web Design Skills.” Society Online: The Internet in Context. Eds. Philip N. Howard, and Steve Jones. Thousand Oaks, CA: Sage, 2004. 189-200. | |
| Technology | |
| Keywords: gender studies | internet | media | music | social sciences | technology | |
| Larsen, Elena. “Deeper Understanding, Deeper Ties: Taking Faith Online.” Society Online: The Internet in Context. Eds. Philip N. Howard, and Steve Jones. Thousand Oaks, CA: Sage, 2004. 43-56. | |
| Technology | |
| Keywords: gender studies | internet | media | music | religion | social sciences | technology | |
| Liébert, Georges. Nietzsche and Music. Chicago: University Chicago Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: Friedrich Nietzsche | music | philosophy | Psychological & Cognitive Sciences | Richard Wagner | Robert Schumann | theory | |
| Macarthur, Sally. Feminist Aesthetics in Music. Westport, CN: Greenwood Press, 2002. | |
| Social Sciences | |
| Keywords: gender studies | music | philosophy | social sciences | |
| Magee, Michael. Emancipating Pragmatism: Emerson, Jazz, and Experimental Writing. Tuscaloosa: University Alabama Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: Amiri Baraka | Frank O'Hara | jazz | literature—19th-20th C | music | poetics | Psychological & Cognitive Sciences | Ralph Waldo Emerson | theory | |
| Mandel, Norma H. Beyond the Garden Gate: The Life of Celia Laighton Thaxter. Hanover, NH: University Press New England, 2004. | |
| Environmental Sciences | |
| Keywords: aesthetic | Annie Fields | biography | Celia Laighton Thaxter | Childe Hassam | environmental sciences | gardens | JamesFields | John Greenleaf Whittier | Julius Eichberg | literature—19th C | music | poetry | Sarah Orne Jewett | spiritualism | visual art—19th C | William Mason | William Morris Hunt | |
| McPherson, Gary E., and Alf Gabrielsson. From Sound to Sign. In Parncutt (Collections): pp. 99-116. [2002] | |
| Rhetoric of Science | |
| Keywords: kinesiology | music | rhetoric of science | |
| Miller, Thomas Ross. Songs from the House of the Dead: Sound, Shamans, and Collecting in the North Pacific (1900/2000). Ph.D. Dissertation: Columbia University, 2004. | |
| Occult Sciences | |
| Keywords: aesthetics | anthropology | culture studies | death | ethnography | exploration discovery & travel | folklore | Franz Boaz | identity | music | Occult Sciences | phonograph | shamans | social sciences | sound | supernatural | technology | theory | |
| Moroni, Artemis, Fernando Von Zuben, and Jonatas Manzolli. “ArTbitration: Human-machine Interaction in Artistic Domains.” Leonardo 35.2 (2002): 185-8. | |
| Computers & Digital Technology | |
| Keywords: aesthetics | algorithms | Biological Sciences | computers and digital technology | genetics | music | visual arts—20th-21st C | visual arts—interactive | |
| Morton, David. Sound Recording: The Life Story of a Technology. Westport, CT: Greenwood Press, 2004. | |
| Technology | |
| Keywords: Computers & Digital Technology | music | recording | sound | technology | |
| Nero, Charles Isidore. Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation. Camera Obscura 19.2 (2004): 46-73. | |
| Social Sciences | |
| Keywords: film | gender studies | music | nationalism | opera | race studies | redemption | social sciences | technology | |
| Nieznanowska, J. “Medicines in the Correspondence of the Mozart Family.” Vesalius: Acta Internationales Historiae Medicina e 7 (December 2001): 67-72. | |
| Medicine | |
| Keywords: Leopold Mozart | medicine | music | |
| Peterson, Richard A. and Ryan, John. “The Disembodied Muse: Music in the Internet Age.” Society Online: The Internet in Context. Eds. Philip N. Howard, and Steve Jones. Thousand Oaks, CA: Sage, 2004. 223-236 | |
| Technology | |
| Keywords: faith | gender studies | internet | media | music | social sciences | technology | |
| Pfenninger, Karl H., and Valerie R. Shubik. “Insights into the Foundations of Creativity: A Synthesis.” In Pfenninger (Collections), pp. 213-236. [2001] | |
| Psychological & Cognitive Sciences | |
| Keywords: chaos theory | fractals | imagination | mind | music | psychological and cognitive sciences | |
| Primeau, Ronald. Herbert Woodward Martin and the African American Tradition in Poetry. Kent, OH: Kent State University Press, 2004. | |
| Social Sciences | |
| Keywords: drama | Herbert Woodward Martin | literature—20th C | music | opera | Paul Laurence Dunbar | poetry | race studies | social sciences | |
| Reimer, Bennett. Once More With Feeling: Reconciling Discrepant Accounts of Musical Affect. Philosophy of Music Education Review 12 (Spring 2004): 4-16. | |
| Psychological & Cognitive Sciences | |
| Keywords: affect | assimilation | diaspora | ethnic studies | identity | migration | music | Psychological & Cognitive Sciences | racial studies | Rejin Leys | social sciences | visual art—20th C | Vladimir Cybil | voodoo | |
| Rice, Timothy. Music in Bulgaria: Experiencing Music, Expressing Culture. New York: Oxford University Press, 2004. | |
| Social Sciences | |
| Keywords: culture studies | economics | music | social sciences | theory | |
| Rose, Gilbert J. Between Couch and Piano: Psychoanalysis, Music, Art and Neuroscience. Hove & New York: Brunner-Routledge, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: affect | literature—20th C | music | neuroscience | psychoanalysis | Psychological & Cognitive Sciences | Samuel Beckett | visual art—20th C | William Faulkner | |
| Sarrazin, Natalie Rose. "Singing in Tejaji's Temple: Music and Ritual Trance Healing Performance in Rajasthan." Ph.D. Dissertation: University Maryland, College Park, 2003. | |
| Literature, Science & the Arts | |
| Keywords: anthropology | drama | folklore | medicine | music | mythology | narrative | ritual | social sciences | trance | |
| Schäffer, J. “Vom Waffenschmied zum Rinderwahn: Tiermedizin(er) in der Musik.” Historia Medicinae Veterinariae 26, nos. 3-4 (2001): 145-158. | |
| Popular Sciences | |
| Keywords: Albert Lortzing | medicine | music | popular sciences | |
| Song, Taejeong. "The Discourse of Life: Richard Powers' Gold Bug Variations." Journal of English Language and Literature 49.1 (2003): 57-73. | |
| Literature, Science & the Arts | |
| Keywords: Biological Sciences | chemistry | DNA | Johann Sebastian Bach | literature--20th C | music | Richard Powers | |
| Soni, Manish. Mystic Chords: Mysticism and Psychology in Popular Music. New York: Algora Pub., 2001. | |
| Social Sciences | |
| Keywords: music | mysticism | Psychology & Cognitive Sciences | religion | social sciences | |
| Stewart, Pamela J., and Andrew Strathern. Gender, Song, and Sensibility: Folktales and Folksongs in the Highlands of New Guinea. Westport, CN: Praeger, 2002. | |
| Social Sciences | |
| Keywords: anthropology | gender studies | literature--folk | music | social sciences | |
| Stinson, Donald Scott. The Creation of Frankenstein: An Opera in One Act. Ph.D. Dissertation: University Miami, 2002. | |
| Rhetoric of Science | |
| Keywords: Biological Sciences | Claudio Monteverdi | creativity | Mary Shelley | Mary Shelley | music | narrative | opera | rhetoric of science | theory | |
| Strosberg, Eliane. Art and Science . Paris: UNESCO, 1999; rpt. New York: Abbeville Press, 2001. | |
| Theory | |
| Keywords: architecture | astronomy | cognition | color | light | music | optics | perspective | theory | visual arts—general | |
| Tunley, David. François Couperin and 'The Perfection of Music.', Hants, UK & Burlington, VT: Ashgate, 2004. | |
| Technology | |
| Keywords: Catherine Massip | David Tunley | François Couperin | Guillaume-Gabriel Nivers | Jean Rousseau | Julie Anne Sadie | Kenneth Gilgert | Laurence Drefus | Lionel Sawkins | Mark-Antoine Charpentier | Michel Corrette | Michel Lambert | music | Pierre Citron | technology | Titon du Tillet | |
| Unemi, Tatsuo, and Eiichi Nakada. “A Tool for Composing Short Music Pieces by Means of Breeding.” In Proceedings: 2001 IEEE International Conference on Systems, Man, and Cybernetics , vol. 5, Terry Bahill, ed., 3458-3463. Piscataway, NY: IEEE, 2001. | |
| Computers & Digital Technology | |
| Keywords: computers and digital technology | music | |
| von der Schmidt, Jeff. “The Melody of Numbers.” In Belloli (Collections), pp. 32-49. [2001] | |
| Physical & Mathematical Sciences | |
| Keywords: mathematics | music | physical and mathematical sciences | |
| Wade, Bonnie C. Thinking Musically: Experiencing Music, Expressing Culture. New York: Oxford University Press, 2004. | |
| Social Sciences | |
| Keywords: culture studies | music | social sciences | |
| Weintraub, Stanley. “Shaw's Musician: Edward Elgar.” SHAW The Annual of Bernard Shaw Studies 22 (2001): 1-18. [2002] | |
| Technology | |
| Keywords: Edward Elgar | George Bernard Shaw | music | technology | |
| Wiley, Christopher. 'When a Woman Speaks the Truth About Her Body': Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography. Music and Letters 85 (August 2004): 388-414. | |
| Social Sciences | |
| Keywords: autobiography | biography | Ethel Smyth | gender studies | literature—20th C | music | narrative | patriarchy | social sciences | Virginia Woolf | |
| Wisniewski, Jerzy. “Owady jako zrodlo inspiracji w kulturze i sztuce .” Wiadomosci Entomologiczne 20, nos, 1-2 (2001): 67-86. | |
| Biological Sciences | |
| Keywords: Biological Sciences | entomology | music | |
| Wolf, Stacy Ellen. A Problem like Maria: Gender and Sexuality in the American Musical. Ann Arbor: University Michigan Press, 2002. | |
| Social Sciences | |
| Keywords: Barbra Streisand | Ethel Merman | gender studies | Julie Andrews | Mary Martin | music | social sciences | |
| Wright, Craig M. The Maze and the Warrior: Symbols in Architecture, Theology, and Music . Cambridge, MA: Harvard University Press, 2001. | |
| Rhetoric of Science | |
| Keywords: architecture | music | religion | rhetoric of science | symbolism | |
| Wulffen, Thomas, ed. “Der gerissene Faden: Nichtlineare Techniken in der zeitgenössichen Kunst von der Wunderkammer zum Hypertext.” Kunstforum International , no. 155 (June-July 2001): 46-119. | |
| Physical & Mathematical Sciences | |
| Keywords: chaos theory | hypertext | multi-media | music | non-linearity | physical and mathematical sciences | physics | visual arts--20th C | |
| Yadegari, Shahrokh. The Radif as a Basis for a Computer Music Model: Union of Philosophy and Poetry through Self-referentiality. Ph.D. Dissertation: University California San Diego, 2004. | |
| Computers & Digital Technology | |
| Keywords: aesthetics | Arnold Schoenberg | chords | Claude Lévi-Strauss | Computers & Digital Technology | discourse | epistemology | Hugo Riemann | Jacques Derrida | Joseph Fétis | metaphysics | metaphysics | music | music | philosophy | play | poetry Psychological & Cognitive Sciences | poststructuralism | Radif | rhetoric of science | sign | structure | theory | tonology | |
| Zatorre, Robert J. and Isabelle Peretz. eds. The Biological Foundations of Music . New York: New York Academy of Sciences, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: Biological Sciences | cognition | music | psychological and cognitive sciences |