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Showing below keyword matches in entire database for "film":
| Abraham, Linus K. “The Black Woman as Marker of Hypersexuality in Western Mythology: A Contemporary Manifestation in the Film ‘The Scarlet Letter.’” Journal Communication Inquiry 26:2 (April 2002): 193-214. | |
| Social Sciences | |
| Keywords: film | gender studies | literature—19th C | mythology | narrative | Occult Sciences | rhetoric of science | social sciences | symbolism | technology | |
| Allen, Michael Patrick, and Anne E. Lincoln. Critical Discourse and the Cultural Consecration of American Films. Critical Discourse and the Cultural Consecration of American Films. Social Forces 82 (March 2004): 871-893. | |
| Theory | |
| Keywords: Academy Awards | culture studies | film | rhetoric of science | technology | theory | |
| April, Robert S. “Representation of the Dead Body in Literature and Medical Writings during the Restoration in France (1799-1848).” Images of the Corpse: From the Renaissance to Cyberspace. Ed. Elizabeth Klaver. Madison, WI: University Wisconsin Press, 2004. 63-87. | |
| Medicine | |
| Keywords: Andres Serrano | autopsy | corpses | death | film | gender studies | Gustave Flaubert | Honoré Balzac | literature—19th C | medicine | philosophy | photography | social sciences | technology | visual art—19th C | |
| Badley, Linda. “The Darker Side of Genius: The (Horror) Auteur Meets Freud's Theory.” In Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York: Cambridge University Press, 2004. 222-241. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | genius | horror | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | theory | |
| Banash, David. “’The Blair Witch Project’: Technology, Repression, and the Evisceration of Mimesis.” Nothing That Is: Millennial Cinema and the ‘Blair Witch’ Controversies. Eds. Sarah Lynn Higley, and Jeffren Andrew Weinstock. Detroit: Wayne State University Press, 2004. 111-123. | |
| Psychological & Cognitive Sciences | |
| Keywords: Daniel Myrick | Eduardo Sanchez | fear | film | hoax | horror | Occult Sciences | Psychological & Cognitive Sciences | technology | |
| Benford, Gregory, and Elisabeth Malartre. “A Cyborged World.” Fantasy Science Fiction 102:2 (Feb. 2002): 113-123. | |
| Popular Sciences | |
| Keywords: Biological Sciences | body | cartoons | Computers & Digital Technology | cyborgs | film | neurology | popular sciences | science fiction | |
| Berrettini, Mark. “Can ‘We All’ Get Along? Social Difference, the Future, and Strange Days.” Camera Obscura 17:50 (May 2002): 155-190. | |
| Popular Sciences | |
| Keywords: apocalypse | film | popular sciences | science fiction | social sciences | technology | |
| Boisseau, Tracey Jean. White Queen: May French-Sheldon and the Imperial Origins of American Feminist Identity. Bloomington: Indiana University Press, 2004. | |
| Social Sciences | |
| Keywords: 20th C | colonialism | exploration discovery & travel | feminism | film | gender studies | imperialism | literature—19th | May French-Sheldon | race studies | social sciences | technology | |
| Bolton, Christopher. “The Mecha's Blind Spot: Patlabor 2 and the Phenomenology of Anime.” Science Fiction Studies. 29:3 (Nov. 2002): 453-474. | |
| Popular Sciences | |
| Keywords: anime | film | popular sciences | robots | science fiction | technology | theory | vision | visual arts—20th C | Vivian Sobchack | |
| Brenkman, John. “Freud the Modernist.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 172-97. | |
| Psychological & Cognitive Sciences | |
| Keywords: discourse | film | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | |
| Broderick, Mick. “Is This the Sum of Our Fears? Nuclear Imagery in Post-Cold War Cinema.” Atomic Culture: How We Learned to Stop Worrying and Love the Bomb. Eds. Scott C. Zeman, and Michael A. Amundson. Boulder: University Press Colorado, 2004. 125-49. | |
| Popular Sciences | |
| Keywords: culture studies | film | literature—20th C | nuclear power | physical & mathematical sciences | popular sciences | social sciences | visual art—20th C | war | |
| Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. London & New York: Verso, 2002. | |
| Technology | |
| Keywords: architecture | film | technology | visual arts--20th C | |
| Buhler, Stephen M. Shakespeare in the Cinema: Ocular Proof. Cultural Studies in Cinema/Video. Albany: State University New York Press, 2002. | |
| Technology | |
| Keywords: film | technology | William Shakespeare | |
| Bukatman, Scott. Garbage: The Stuff Dreams Are Made Of: Response to Michael Shanks, David Platt, and William L. Rathje. Modernism/modernity 11 (January 2004): 85-87. | |
| Popular Sciences | |
| Keywords: film | garbage | popular sciences | science fiction | technology | |
| Burt, Richard. “Slammin' Shakespeare In Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-integration.” Shakespeare Quarterly 53.2 (2002): 201-226. | |
| Social Sciences | |
| Keywords: film | race studies | social sciences | William Shakespeare | |
| Cantor, Joanne. "I'll Never Have a Clown in My House"--Why Movie Horror Lives On. Poetics Today 25, (Summer 2004): 283-304. | |
| Technology | |
| Keywords: emotions | fantasy | fear | film | horror | memory | Psychological & Cognitive Sciences | realism | technology | |
| Carroll, Noë. “Afterword: Psychoanalysis and the Horror Film.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 255-270. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | |
| Clark, Stephanie Brown. “Frankenflicks: Medical Monsters in Classic Horror Films.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 129-148. | |
| Medicine | |
| Keywords: bioethics | Computers & Digital Technology | euthanasia | film | health | horror | Jack Kevorkian | journalism | medicine | social sciences | technology | television | |
| Cohen, Jack. “Is Biology Science?” Biologist 49:4 (Aug. 2002): 188. | |
| Popular Sciences | |
| Keywords: Biological Sciences | film | popular sciences | science fiction | theory | |
| Coplan, Amy B. "Empathic Engagement with Narrative Fiction Film: An Explanation of Spectator Psychology." Ph.D. Dissertation: Emory University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: aesthetics | culture studies | empathy | film | morality | narrative | psychological and cognitive sciences | social sciences | |
| Creed, Barbara. “Freud's Worst Nightmare: Dining with Dr. Hannibal Lector.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 188-204. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | nightmares | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | technology | |
| Crogan, Patrick. “Blade Runners: Speculations on Narrative and Interactivity.” South Atlantic Quarterly 101:3 (2002): 639-657. | |
| Technology | |
| Keywords: cloning | film | genetics | narration | technology | |
| Cubitt, Sean. “Delicatessen: Eco-Apocalypse in the New French Science Fiction Cinema.” In Sardar (Collections): pp. 18—33. [2002] | |
| Environmental Sciences | |
| Keywords: apocalypse | ecology | environmental sciences | film | Jűgen Habermas | Jean-Pierre Jeunet | literature—20th C | Marc Caro | popular sciences | technology | |
| Davison, Annette. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s. Aldershot, Hants, England & Burlington, VT: Ashgate, 2004. | |
| Social Sciences | |
| Keywords: culture studies | David Lynch | Derek Jarmason | film | Jean Luc Godard | music | social sciences | theory | |
| Denisoff, Dennis. Sexual Visuality from Literature to Film, 1850-1950. New York: Palgrave Macmillan, 2004. | |
| Social Sciences | |
| Keywords: 20th C | 20th C | Alfred Hitchcock | Daphne Du Maurier | film | Fritz Lang | gender studies | literature—19th | Mary Braddon | Oscar Wilde | Otto Preminger | sexuality | social sciences | technology | Vernon Lee | Virginia Woolf | visual art—19th | Wilkie Collins | |
| Dimitrakaki, Angela, and Milton Tsiantis. “Terminators, Monkeys and Mass Culture: The Carnival of Time in Science Fiction Films.” Time & Society 11:2 (Sept. 2002): 209-231. | |
| Popular Sciences | |
| Keywords: capitalism | fantasy | film | Mikhail Bakhtin | narrative | politics | popular sciences | science fiction | technology | theory | time | |
| Doane, Mary Ann. Pathos and Pathology: The Cinema of Todd Haynes. Camera Obscura 19.3 (2004): 1-21. | |
| Social Sciences | |
| Keywords: culture studies | film | gender studies | pathos | psychology and cognitive sciences | Sigmund Freud | social sciences | technology | Todd Haynes | visual art: 20th C | |
| Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press, 2002. | |
| Physical & Mathematical Sciences | |
| Keywords: film | modernity | physical and mathematical sciences | technology | time | |
| Dollinger, Roland. "Technology and Nature: From D_blin's 'Berge Meere Und Giganten' to 'A Philosophy of Nature.'" A Companion to the Works of Alfred D_blin. Studies in German Literature, Linguistics, and Culture. Eds. Roland Dollinger, Wulf Koepke, and Heidi Thomann Tewarson. Rochester, NY: Camden House, 2003. | |
| Literature, Science & the Arts | |
| Keywords: Alfred D_blin | Biological Sciences | drama | film | G_nter Grass | literature--20th C | narrative | radio | radio | religion | |
| Donaldson, Peter S. “Cinema and the Kingdom of Death: Loncraine's Richard III.”Shakespeare Quarterly 53:2 (2002): 241-259. | |
| Technology | |
| Keywords: death | drama | film | technology | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Theory | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | theory | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Technology | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | technology | William Shakespeare | |
| Egerton, Katherine Elizabeth. "'Sick in Twos and Threes and Fours': Representation, Redemption, and Mental Illness in Arthur Miller's Later Plays." Ph.D. Dissertation: University North Carolina, Chapel Hill, 2003. | |
| Literature, Science & the Arts | |
| Keywords: Arthur Miller | disease | drama | film | gender studies | hysteria | insanity | medicine | psychological and cognitive sciences | social sciences | |
| Elleström, Lars. Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically. Lewisburg, PA: Bucknell University Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: allegory | ambiguity | Charles Dickens | Charles Dickens | Cleanth Brooks | deconstruction | Dmitry Shostakovich | drama | Eduard Hanslick | film | Friedrich Schlegel | hermeneutics | humor | hyperbole | irony | Linda Hutcheson | literature--general | Ludwig von Beethoven | Marcel Duchamp | metaphor | music | mysticism | myths | paradox | parody | postmodernism | psychological and cognitive sciences | René Magritte | rhetoric of science | Rudolf Arnheim | sarcasm | satire | semiotics | Socrates | Søren Kierkegaard | surrealism | symbolism | visual arts—general | William Shakespeare | |
| Ellis, Kathleen. “New World, Old Habits: Patriarchal Ideology in Star Wars: A New Hope.” Australian Screeen Education 30 (Spring 2002): 135-139. | |
| Popular Sciences | |
| Keywords: ethics | film | George Lucas | ideology | popular sciences | science fiction | social sciences | |
| Ershova-Darras, Eugenia Zoltanovna. "L'adaptation Cinematographique des Oeuvres Litteraires (l'Exemple de Dostoievski)." Ph.D. Dissertation: Rice University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: adaptation, | aesthetics | Denys Arcand | expressionism | film | Fyodor Dostoyevsky | Gearard Genette | narrative | Pierre Chenal | praxis | pride | Robert Bresson | solitude | theory | |
| Falkenberg, Merrill Brooke. Circuits of Exchange: The Myth of Interactivity in Video Art. Ph.D. Dissertation: Stanford University, 2002. | |
| Technology | |
| Keywords: Bill Biola | body art | Bruce Nauman | cameras | computers | conceptual art | Dan Graham | film | Gary Hill | Joan Jonas | Martha Rosler | minimalism | museums | performance art | Peter Campus | postmoderinism | technology | video | visual arts--20th C | Vito Acconci | |
| Farnsworth, Rodney. The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983. Westport, CN: Praeger, 2002. | |
| Biological Sciences | |
| Keywords: Biological Sciences | evolution | film | myth | popular sciences | |
| Feng, Peter X. “False and Double Consciousness: Race, Virtual Reality and the Assimilation of Hong Kong Action Cinema in The Matrix.” In Sardar (Collections): pp. 149-163. [2002] | |
| Social Sciences | |
| Keywords: film | Jean-Louis Baudry | Keanu Reeves | literature—20th C | popular science | Psychological & Cognitive Sciences | race studies | social sciences | technology | virtual reality | |
| Flood, Timothy Edward. Changing Voices: Teaching the History of Rhetoric Through Film. Ph.D. Dissertation: University North Carolina, Greensboro, 2002. | |
| Rhetoric of Science | |
| Keywords: Aristotle | bell hooks | film | George Lakoff | Henry James | James Joyce | Kenneth Burke | linguistics | literature--20th C | Mark Johnson | Marshall McLuhan | metaphor | Miguel de Cervantes | Mikhail Bakhtin | mythology | narrative | Paulo Freire | pedagogy | rhetoric of science | symbolism | technology | Thomas Kuhn | Walter Ong | |
| Frank, Scott David. "Lab Coats in the Dream Factory: Science and Scientists in Hollywood." Ph.D. Dissertation: University Southern California, 2003. | |
| Literature, Science & the Arts | |
| Keywords: culture studies | ethnography | film | narrative | popular science | rhetoric of science | social sciences | technology | television | theory | |
| Franklin, Marianne. “Walter Benjamin.” In May (Collections): pp. 12-42. [2002] | |
| Science & Technology Studies | |
| Keywords: aesthetics | cyborgs | Donna Haraway | film | internet | Marxism | Marxism | mysticism | mythology | philosophy | photography | popular sciences | propaganda | science and technology studies | science fiction | social sciences | technology | Theodore Adorno | theory | visual arts—20th C | Walter Benjamin | war | |
| Friedman, Lester D. Cultural Sutures: Medicine and Media. Durham, NC: Duke University Press, 2004. | |
| Medicine | |
| Keywords: film | health | journalism | mass media | medicine | rhetoric of science | |
| Gabbard, Krin. Black Magic: White Hollywood and African American Culture. New Brunswick, NJ: Rutgers University Press, 2004. | |
| Occult Sciences | |
| Keywords: Aaron Copland | culture studies | film | gender studies | jazz | magic | Marlon Brando | music | Occult Sciences | race studies | Robert Altman | social sciences | Spike Lee | technology | Thelonious Monk | |
| Galician, Mary-Lou. Sex, Love and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence. Mahwah, NJ: Lawrence Erlbaum Associates, 2004. | |
| Social Sciences | |
| Keywords: culture studies | film | gender studies | Love | mass media | myth | popular sciences | publishing | rhetoric of science | romance | social sciences | stereotypes | technology | theory | |
| Gibbons, Luke. "The Cracked Looking Glass" Of Cinema: James Joyce, John Huston, and the Memory of ‘The Dea.’" The Yale Journal of Criticism 15:1 (2002): 127-148. | |
| Technology | |
| Keywords: film | James Joyce | technology | |
| Gilman, Sander L. “The Fat Detective: Obesity and Disability.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 234-244. | |
| Medicine | |
| Keywords: disability | film | health | journalism | mass media | medicine | obesity | |
| Goble, Mark Anton. Ph.D. Dissertation: Stanford University, 2002. | |
| Technology | |
| Keywords: aesthetics | film | gender studies | Gertrude Stein | Henry James | James Agee | James Weldon Johnson | jazz | literature--20th C | modernity | music | race studies | technology | theory | William Carlos Williams | |
| Gordon, Rae Beth. “From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 93-125. | |
| Psychological & Cognitive Sciences | |
| Keywords: culture studies | discourse | film | imitation | literature—19th-20th C | medicine | modernism | psychoanalysis | Psychological & Cognitive Sciences | social sciences | theater | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | theory | visual arts—20th C | William Shakespeare | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | technology | visual arts—20th C | William Shakespeare | |
| Greenwald, Rachel T. “Models of Identity Exploration in Film: A Letter Without Words and How Tasty Was My Little Frenchman.” Radical History Review 83 (2002): 175-179. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | identity | psychological and cognitive sciences | race studies | technology | |
| Gunning, Tom. “In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 141-72. | |
| Literature, Science & the Arts | |
| Keywords: 20th C | film | gnosticism | literature—19th | modernism | photography | physiognomy | psychoanalysis | Psychological & Cognitive Studies | rhetoric of science | technology | |
| Hacking, Ian . “Automatisme Ambulatoire: Fugue, Hysteria, and Gender at the Turn of the Century.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 125-41. | |
| Literature, Science & the Arts | |
| Keywords: 20th C | film | gender studies | literature—19th | modernism | psychoanalysis | Psychological & Cognitive Studies | rhetoric of science | social sciences | technology | |
| Hallas, Roger Andrew. AIDS, Bearing Witness, and the Queer Moving Image. Ph.D. Dissertation: New York University, 2002. | |
| Medicine | |
| Keywords: aesthetics | AIDS | autobiography | contagion | epidemic | ethics | film | gender studies | law | medicine | narrative | pedagogy | psychoanalysis | Psychological & Cognitive Sciences | rhetoric of science | |
| Hanson, Matt. The End of Celluloid: Film Futures in the Digital Age. Mies, Switzerland: RotoVision, 2004. | |
| Technology | |
| Keywords: Chris Cunningham | Danny Boyle | David Lync | David Lynch | film | gaming | Grant Gee | Hideo Kojima | Jonas àkerlund | Jonathan Glazer | Lars Von Trier | Matthew Barney | Mike Figgis | Peter Greenaway | Spike Jonze | technology | television | |
| Hayes, Michael T., and Rhonda S. Black. "Troubling Signs: Disability, Hollywood Movies and the Construction of a Discourse of Pity." Disability Studies Quarterly 23.2 (2003): 114-32. | |
| Literature, Science & the Arts | |
| Keywords: disability | drama | film | Michel Foucault | pity | rhetoric of science | technology | |
| Hayot, Eric, and Edward Wesp. Reading Game/Text: EverQuest, Alienation, and Digital Communities. Postmodern Culture 14 (Jan. 2004): n.p. | |
| Computers & Digital Technology | |
| Keywords: Computers & Digital Technology | film | gaming | genres | television | video games | |
| Heffernan, Kevin. Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953-1968. Durham: Duke University Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: culture studies | film | horror | literature—20th C | Psychological & Cognitive Sciences | Roman Polanski | Social Studies | technology | William Castle | |
| Hermsen, Lisa Marie. "'No Mere Travelogue': Material-semiotic Bodies/Texts in Science, Safari, and Spectacle." Ph.D. Dissertation: Iowa State University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: anthropology | Bruno Latour | culture sciences | discourse | Donna Haraway | ethnography | exploration, discovery, and travel | film | Martin Johnson | Mary Louise Prat | Osa Johnson | pedagogy | rhetoric of science | safari | semiotics | social sciences | tropes | |
| Higley, Sarah L., and Jeffrey Andrew Weinstock. Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit: Wayne State University Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: Daniel Myrick | Eduardo Sanchez | fear | film | hoax | horror | Occult Sciences | Psychological & Cognitive Sciences | technology | |
| Hills, Matt. “Doing Things with Theory: From Freud's Worst Nightmares to (Disciplinary) Dreams of Horror's Cultural Value.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York: Cambridge University Press, 2004. 205-221. | |
| Psychological & Cognitive Sciences | |
| Keywords: culture studies | film | horror | nightmares | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | social sciences | theory | |
| Hills, Matt. Fan Cultures. London; New York: Routledge, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | psychological and cognitive sciences | social sciences | technology | television | |
| Holderness, Graham. Visual Shakespeare: Essays in Film and Television. Hatfield, UK: University Hertfordshire Press, 2002. | |
| Technology | |
| Keywords: film | technology | television | William Shakespeare | |
| Holmlund, Chris. Impossible Bodies: Feminity and Masculinity at the Movies. London; New York: Routledge, 2002. | |
| Social Sciences | |
| Keywords: film | gender studies | race studies | social sciences | technology | |
| Hotchkiss, Lia M. “The Incorporation of Word as Image in Peter Greenaway’s Prospero’s Books.” In Starks (Colletions): pp. 95-120. [2002] | |
| Rhetoric of Science | |
| Keywords: drama | film | literature—20th C | Peter Greenaway | rhetoric of science | technology | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | theory | utopias | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | technology | utopias | visual arts—20th C | William Shakespeare | |
| Jermyn, Deborah. “’You Can't Keep a Dead Woman Down’: The Female Corpse and Textual Disruption in Contemporary Hollywood.” Images of the Corpse: From the Renaissance to Cyberspace. Ed. Elizabeth Klaver. Madison, WI: University Wisconsin Press, 2004.153-168. | |
| Medicine | |
| Keywords: death | film | literature—20th C | medicine | rhetoric of science | technology | |
| Joravsky, David. “Between Science and Art: Freud versus Schnitzler, Kafka, and Musil.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford. CA: Stanford University Press, 2004. 277-98. | |
| Psychological & Cognitive Sciences | |
| Keywords: Arthur Schnitzler | discourse | film | Franz Kafka | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | Robert Musil | Sigmund Freud | |
| Karim, Karim H. “Jacques Ellul.” In May (Collections): pp. 65-86. [2002] | |
| Science & Technology Studies | |
| Keywords: anarchy | film | George Szanto | internet | Jacques Ellul | Marxism | philosophy | propaganda | Psychological & Cognitive Sciences | radio | religion | science and technology studies | social sciences | technology | utopia | |
| Kimball, A. Samuel. “Conceptions and Contraceptions of the Future: Terminator 2, The Matrix, and Alien Resurrection.” Camera Obscura 17:50 (May 2002): 69-108. | |
| Popular Sciences | |
| Keywords: Biological Sciences | conception | extinction | film | metaphor | photography | popular sciences | science fiction | symbolism | technology | theory | |
| Kinyon, Kamila. “Laughter in Zamiatin's We: Passageways into the Irrational.” Extrapolation 43:2 (Summer 2002): 204-218. | |
| Popular Sciences | |
| Keywords: Darko Suvin | estrangement | Evgenii Ivanovich Zamiatin | film | humor | laughter | popular sciences | rhetoric of science | science fiction | semiotics | |
| Landon, Brooks. “Synthespians, Virtual Humans, and Hypermedicineia: Emerging Contours of Post-SF Film.” In Hollinger (Collections): pp. 57-73. [2002] | |
| Biological Sciences | |
| Keywords: Biological Sciences | film | popular sciences | science fiction | technology | virtual reality | |
| Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004. | |
| Social Sciences | |
| Keywords: culture studies | film | Holocaust | literature—20th C | memory | modernity | narrative | Psychological & Cognitive Sciences | race studies | social sciences | technology | |
| Lanier, Douglas M. “Shakescorp Noir.” Shakespeare Quarterly 53:2 (2002): 157-180. | |
| Technology | |
| Keywords: film | postmodernism | technology | William Shakespeare | |
| Lehmann, Courtney. “Crouching Tiger, Hidden Agenda: How Shakespeare and the Renaissance Are Taking the Rage Out of Feminism.” Shakespeare Quarterly 53:2 (2002): 260-279. | |
| Social Sciences | |
| Keywords: film | gender studies | literature--Renaissance | social sciences | William Shakespeare | |
| Lehmann, Courtney. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca, NY; London: Cornell University Press, 2002. | |
| Technology | |
| Keywords: drama | film | technology | William Shakespeare | |
| Levitt, Deborah. ZoeTropes: Cinema, Literature, and the Modernity of the Living Picture. Ph.D. Dissertation: University Southern California, 2004. | |
| Technology | |
| Keywords: aesthetics | Antonin Artaud | Carl Theodor Dreyer | Djuna Barnes | ethics | film | health | literature—20th C | medicine | narrative | popular sciences | race studies | social sciences | technology | war | |
| Linville, Susan Elizabeth. History Films, Women, and Freud's Uncanny. Austin: University Texas Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: aesthetics | anxiety | film | gender studies | literature-20th C | nostalgia | Oliver Stone | Psychological & Cognitive Sciences | Sigmund Freud | social sciences | technology | |
| Lipkin, Steven N. Real Emotional Logic: Film and Television Docudrama as Persuasive Practice. Carbondale: Southern Illinois University Press, 2002. | |
| Rhetoric of Science | |
| Keywords: documentaries | emotions | film | logic | Psychological & Cognitive Sciences | rhetoric of science | technology | television | |
| Little, Michael. Novel Affirmations: Defending Literary Culture in the Fiction of David Foster Wallace, Jonathan Franzen, and Richard Powers. Ph.D. Dissertation: Texas A&M University, 2004. | |
| Social Sciences | |
| Keywords: authority | culture studies | David Foster Wallace | film | genre studies | irony | Jonathan Franzen | radio | Richard Powers | social sciences | technology | television | transcendence | |
| Loughlin, Gerard. Alien Sex: The Body and Desire in Cinema and Theology. Malden, MA: Blackwell Pub., 2004. | |
| Social Sciences | |
| Keywords: André Bazin | Christopher Nolan | culture studies | Derek Jarman | desire | film | gender studies | Hans Urs von Balthasar | Karl Barth | Leo Bersani | Levinas | literature—20th C | literature—classic | Nicolas Roeg | Plato | sexuality | social sciences | Stanley Kubrick | technology | theology | |
| Lucanio, Patrick, and Gary Coville. Smokin' Rockets: The Romance of Technology in American Film, Radio and Television, 1945-1962. Jefferson, NC: McFarland & Co., 2002. | |
| Technology | |
| Keywords: film | popular sciences | radio | rocketry | science fiction | technology | television | |
| Mai, Joseph. Lost Order: Repercussions of Secularization on Literary and Film Rhetoric. Ph.D. Dissertation: Yale University, 2004. | |
| Theory | |
| Keywords: Alfred Dreyfus | Charles Péguy | fantasy | film | Georges Bernanos | literature—20th C | race studies | realism | rhetoric of science | Robert Bresson | secularization | social sciences | socialism | technology | theory | truth | utopia | |
| Mair, Jan. “Rewriting the ‘American Dream’: Postmodernism and Otherness in Independence Day.” In Sardar (Collections): pp. 34-50. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: Discover | exploration discovery & travel | film | H.G. Wells | literature—20th C | popular sciences | postmodernism | psychological and cognitive sciences | social sciences | technology | |
| Martin, Jay. “Modernism and the Specter of Psychologism.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 352-67. | |
| Psychological & Cognitive Sciences | |
| Keywords: discourse | film | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | psychologism | |
| Mather, Philippe. “Figures of Estrangement in Science Fiction Film.” Science Fiction Studies 29:2 (July 2002): 186-201. | |
| Popular Sciences | |
| Keywords: estrangement | film | popular sciences | science fiction | social sciences | technology | |
| Matz, Jesse. “T. E. Hulme, Henri Bergson, and the Cultural Politics of Psychologism.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, Ca: Stanford University Press, 2004. 339-52. | |
| Psychological & Cognitive Sciences | |
| Keywords: culture studies | discourse | film | Henri Bergson | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | psychologism | social sciences | T. E. Hulme | |
| Mayhall, Laura E. Nym. “Teaching British Cinema History as Cultural History.” Radical History Review 83 (2002): 193-197. | |
| Social Sciences | |
| Keywords: culture | film | pedagogy | social sciences | technology | |
| Mayhall, Laura E. Nym. “Teaching British Cinema History as Cultural History.” Radical History Review. 83 (2002): 193-197. | |
| Social Sciences | |
| Keywords: culture | film | pedagogy | social sciences | technology | |
| Mazierska, Ewa. The Cinema of Nanni Moretti: Dreams and Diaries. London & New York: Wallflower, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: biography | diary | dreams | film | gender studies | irony | postmodernism | Psychological & Cognitive Sciences | Sociological Sciences | technology | theory | tragicomedy | |
| McCandless, David. “A Tale of Two Tituses: Julie Taymor's Vision on Stage and Screen.” Shakespeare Quarterly 53:4 (2002): 487-511. | |
| Psychological & Cognitive Sciences | |
| Keywords: drama | film | horror | psychological and cognitive sciences | trauma | William Shakespeare | |
| McCarthy, Kevin F. From Celluliod to Cyberspace: The Media Arts and the Changing Arts World. Santa Monica, CA: Rand Corporation, 2002. | |
| Computers & Digital Technology | |
| Keywords: art—20th C | computers and digital technology | film | TECH | video | |
| McEntee, Jason T. The Beleaguered Patriot: Warriors, Domestic Space, and American Movies, 1979-1999. Ph.D. Dissertation: University Kentucky, 2004. | |
| Technology | |
| Keywords: culture studies | Don DeLillo | film | gender studies | literature—20th C | patriotism | social sciences | technology | war | |
| Metzl, Jonathan M. “The Pharmaceutical Gaze: Psychiatry, Scopophilia, and Psychotropic Medication Advertising 1964-1985.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 15-35. | |
| Medicine | |
| Keywords: film | health | journalism | mass media | medicine | technology | |
| Meyer, Steven. “Writing Psychology Over: Gertrude Stein and William James”. The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 250-77. | |
| Psychological & Cognitive Sciences | |
| Keywords: discourse | film | Gertrude Stein | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | William James | |
| Micale, Mark S. “Discourses of Hysteria in Fin-de-Siecle France.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 71-93. | |
| Literature, Science & the Arts | |
| Keywords: 20th C | film | literature—19th | modernism | psychoanalysis | Psychological & Cognitive Studies | rhetoric of science | technology | |
| Micale, Mark S., ed. The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Stanford, CA: Stanford University Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | literature-19-20th C | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | |
| Monnet, Livia. “Towards the Feminine Sublime, or the Story of ‘ATwinkling Monad, Shape-shifting across Dimension’: Intermediality, Fantasy and Special Effects in Cyberpunk Film and Animation.” Japan Forum 14:2 (Sept. 2002): 225-268. | |
| Popular Sciences | |
| Keywords: aesthetics | Andy Wachowski | animation | cyberpunk | fantasy | film | gender studies | Larry Wachowski | Oshii Mamoru | popular sciences | Psychological & Cognitive Sciences | science fiction | theory | visual arts—20th C | |
| Moss, Stephanie. “’Dracula and The Blair Witch Project: The Problem with Scientific Empiricism.’” Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Ed. David Banash. Detroit: Wayne State University Press, 2004. 197-215. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | Occult Sciences | Psychological & Cognitive Sciences | technology | vampires | |
| Nero, Charles Isidore. Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation. Camera Obscura 19.2 (2004): 46-73. | |
| Social Sciences | |
| Keywords: film | gender studies | music | nationalism | opera | race studies | redemption | social sciences | technology | |
| Nielsen, Katherine. "Knowledge, Discovery, Violence, and Ethics: Technique Embodied in Martial Arts and Physics in the Nuclear Age." Ph.D. Dissertation: University California, Los Angeles, 2003. | |
| Literature, Science & the Arts | |
| Keywords: culture studies | cyborgs | film | gender studies | knowledge | literature-classic | mentorship | nuclear power | physical and mathematical sciences | politics | popular science | postcolonialism | social sciences | technology | theory | |
| Noonan, Bonnie Jo. "'Science in Skirts': Representations of Women in Science in the 'B' Science Fiction Films of the 1950s." Ph.D. Dissertation: Louisiana State University Agricultural Mechanical College, 2003. | |
| Literature, Science & the Arts | |
| Keywords: culture studies | film | gender studies | popular science | science fiction | social sciences | theory | |
| Norden, Martin F. “Reproductive Freedom, Revisionist History, Restricted Cinema: The Strange Case of Margaret Sanger and Birth Control.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 263-279. | |
| Medicine | |
| Keywords: birth control | film | health | journalism | Margaret Sanger | mass media | medicine | reproduction | technology | |
| Osborne, Laurie E. “Clip Art: Theorizing the Shakespeare Film Clip.” Shakespeare Quarterly 53:2 (2002): 227-240. | |
| Theory | |
| Keywords: film | pedagogy | technology | theory | William Shakespeare | |
| Paul, William. “'What Does Dr. Judd Want?': Transformation, Transference and Divided Selves in Cat People.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 159-176. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | identity | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | transference | transformation | |
| Petro, Petrice. Aftershocks of the New: Feminism and Film History. New Brunswick, NJ: Rutgers University Press, 2002. | |
| Social Sciences | |
| Keywords: film | gender studies | social sciences | technology | |
| Picart, Caroline Joan. The Cinematic Rebirths of Frankenstein: Universal, Hammer, and Beyond. Westport, CN: Praeger, 2002. | |
| Biological Sciences | |
| Keywords: Biological Sciences | film | Frankenstein | Mary Shelley | popular sciences | |
| Podeschi, Christopher W. “The Nature of Future Myths: Environmental Discourse in Science Fiction Film, 1950-1999.” Sociological Spectrum 22:3 (Jul. 2002): 251-297. | |
| Popular Sciences | |
| Keywords: discourse | ecology | environmental sciences | film | myths | narrative | nature | popular sciences | rhetoric of science | science fiction | social sciences | technology | theory | |
| Price, Stephen. “Violence and Psychophysiology in Horror Cinema.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 241-254. | |
| Psychological & Cognitive Sciences | |
| Keywords: Biological Sciences | film | horror. Psychoanalysis | Psychological & Cognitive Sciences | psychophysiology | Sigmund Freud | violence | |
| Rainey, Lawrence. “Shock Effects: Marinetti, Pathology, and Italian Avant-Garde Poetics.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 197-217. | |
| Psychological & Cognitive Sciences | |
| Keywords: discourse | Filippo Tommaso Emilio Marinetti | film | literature—19th-20th C | modernism | pathology | poetics | poetry | psychoanalysis | Psychological & Cognitive Sciences | theory | |
| Redmond, Dennis. The World is Watching: Video as Multinational Aesthetics, 1968-1995. Carbondale: Southern Illinois University Press, 2004. | |
| Technology | |
| Keywords: aesthetics | culture studies | ethnic studies | film | gaming | gender studies | Hideaki Anno | Krzysztof Kieslowski | literature—20th C | Patrick McGoohan’ | popular science | science fiction | social sciences | technology | television | theory | video | |
| Reynolds, Bryan. “Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare.” In Starks (Collections): pp. 143-164. [2002] | |
| Occult Sciences | |
| Keywords: Charles Manson | drama | film | Gilles Deleuze | literature—20th C | Occult Sciences | Roman Polanski | technology | visual arts—20th C | William Shakespeare | witchcraft | |
| Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002] | |
| Theory | |
| Keywords: drama | film | literature—20th C | Svend Gade | theory | William Shakespeare | |
| Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002] | |
| Technology | |
| Keywords: drama | film | literature—20th C | Svend Gade | technology | William Shakespeare | |
| Schneider, Steven J., ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. New York: Cambridge University Press, 2004. | |
| Technology | |
| Keywords: film | horror | nightmares | Psychological & Cognitive Sciences | Sigmund Freud | technology | |
| Schneider, Steven Jay. “Introduction: Psychoanalysis in/and/of the Horror Film,” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004.1-16. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | |
| Schroeder, Andrew Irwin. Tsui Hark's “Zu: Warriors from the Magic Mountain.” Hong Kong: Hong Kong University Press, 2004. | |
| Technology | |
| Keywords: culture studies | ethnic studies | film | social sciences | technology | |
| Shapiro, Jerome Franklin. Atomic Bomb Cinema: The Apocalyptic Imagination on Film. New York: Routledge, 2002. | |
| Physical & Mathematical Sciences | |
| Keywords: apocalypse | film | imagination | nuclear warfare | physical and mathematical sciences | popular sciences | science fiction | |
| Sichel, Kim. “Germaine Krull and ‘L’Amitré Noir’: World War Two and French Colonialist Film.“ In Sampson (Collections): pp. 257-280. [2002] | |
| Social Sciences | |
| Keywords: Charles De Gaulle | colonialism | Félix Eboué | film | François Villers | Jean Cocteau | photography | postcolonialism | propoganda | race studies | social sciences | war | |
| Siegel, Mona L. “Germinal: Teaching about Class and Industrial Capitalism through Film.” Radical History Review 83 (2002): 180-185. | |
| Social Sciences | |
| Keywords: capitalism | film | industrialization | social sciences | socialism | technology | |
| Silbergeld, Jerome. Hitchcock with a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China's Moral Voice. Seattle: University Washington Press, 2004. | |
| Social Sciences | |
| Keywords: culture studies | film | Psychological & Cognitive Sciences | race studies | social sciences | technology | |
| Silver, Anna Krugovoy. “The Cyborg Mystique.” Women’s Studies Quarterly 30:1-2 (Spring/Summer 2002): 60-76. | |
| Popular Sciences | |
| Keywords: Betty Friedan | Brian Forbes | film | gender studies | popular sciences | science fiction | |
| Smith, Angela Marie. "'Hideous progeny': Eugenics, disability, and classic horror cinema." Ph.D. Dissertation: University Minnesota, 2003. | |
| Literature, Science & the Arts | |
| Keywords: Biological Sciences | blindness | culture studies | determinism | disability | electricity | eugenics | film | horror | id | identity | literature--20th C | medicine | metaphor | monsters | narrative | physiognomy | popular science | psychological and cognitive sciences | social sciences | technology | X-ray | |
| Stamp, Shelley. Lois Weber, Progressive Cinema, and the Fate of ‘The Work-a-Day Girls’ in Shoes. Camera Obscura 19.2 (2004): 140-169. | |
| Technology | |
| Keywords: class studies | film | social sciences | technology | |
| Starks, Lisa S. “Cinema of Cruelty: Powers of Horror in Julie Taymor’s Titus.” In Starks (Collections): pp. 121-142. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: Carol Clover | drama | film | gender studies | horror | Julia Kristeva | Julie Teymor | literature—20th C | psychological and cognitive sciences | technology | visual arts—20th C | William Shakespeare | |
| Starks, Lisa S. "’Remember Me’: Psychoanalysis, Cinema, and the Crisis of Modernity.” Shakespeare Quarterly 53:2 (2002): 181-200. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | literature--20th C | modernity | postmodernism | psychoanalysis | psychological and cognitive sciences | Sigmund Freud | William Shakespeare | |
| Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002] | |
| Theory | |
| Keywords: drama | film | Jean Baudrillard | literature—20th C | theory | William Shakespeare | |
| Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002] | |
| Technology | |
| Keywords: drama | film | Jean Baudrillard | literature—20th C | technology | William Shakespeare | |
| Swope, Richard. “Science Fiction Cinema and the Crime of Social-Spatial Reality.” Science Fiction Studies 29:2 (July 2002): 221-246. | |
| Popular Sciences | |
| Keywords: film | physical & mathematical sciences | popular sciences | postmodernism | science fiction | technology | time | |
| Toews, John E. “Refashioning the Masculine Subject in Early Modernism: Narratives of Self-Dissolution and Self-Construction in Psychoanalysis and Literature, 1900—1914.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 298-339. | |
| Psychological & Cognitive Sciences | |
| Keywords: discourse | film | gender studies | identity | literature—19th-20th C | masculinity | modernism | narrative | psychoanalysis | Psychological & Cognitive Sciences | social sciences | |
| Trahair, Lisa. “The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton.” South Atlantic Quarterly 101:3 (2002): 573-588. | |
| Technology | |
| Keywords: Buster Keaton | comedy | film | film | technology | |
| Turvey, Malcolm. “Philosophical Problems Concerning the Concept of Pleasure for Future Psychoanalytical Theories of (the Horror) Film.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York: Cambridge University Press, 2004. 68-86. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | Psychological & Cognitive Sciences | |
| Turvey, Malcolm. “Philosophical Problems Concerning the Concept of Pleasure for Future Psychoanalytical Theories of (the Horror) Film.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 68-86. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | horror | philosophy | pleasure | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | |
| Vann, Michael G. “The Colonial Casbah on the Silver Screen: Using Pépé le Moko and The Battle of Algiers to Teach Colonialism, Race, and Globalization in French History.” Radical History Review 83 (2002): 186-192. | |
| Social Sciences | |
| Keywords: colonialism | film | gender studies | race studies | social sciences | |
| Vogl, Joseph. "Zeit ohne Raum: Ein Gespräch mit Alexander Kluge." Science & Fiction: Űber Gedankenexperimente in Wissenschaft, Philosophie und Literatur. Eds. Thomas H. Macho, and Annette Wunschel. Frankfurt am Main: Fischer, 2004. 242-265. | |
| Physical & Mathematical Sciences | |
| Keywords: Alexander Kluge | film | film | literature—20th C | physical & mathematical sciences | popular sciences | space | technology | time | time travel | |
| Wahl, Otto F. “Stop the Presses: Journalistic Treatment of Mental Illness.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 55-69. | |
| Medicine | |
| Keywords: film | health | journalism | mass media | medicine | technology | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Theory | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | theory | William Shakespeare | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Technology | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | technology | William Shakespeare | |
| Wandtke, Terrence Ross. "'Souls upon the Screen': Psychoanalysis, the Cinema, and the Modern Literature of H.D." Ph.D. Dissertation: Saint Louis University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: D. H. Lawrence | Ezra Pound | film | gender studies | Hilda Doolittle (H. D.) | imagism | literature--20th C | modernism | poetry | psychoanalysis | psychological and cognitive science | social sciences | |
| Ward, Annalee R. Mouse Morality: The Rhetoric of Disney Animated Film. Austin: University Texas Press, 2002. | |
| Rhetoric of Science | |
| Keywords: film | rhetoric of science | science & technology studies | technology | Walt Disney | |
| Weinstock, Jeffrey Andrew, ed. Spectral America: Phantoms and the National Imagination. Madison: University Wisconsin Press/Popular Press, 2004. | |
| Occult Sciences | |
| Keywords: astrology | bigfood | film | ghosts | imagination | literature—17th-20th C | Occult Sciences | paranormal | phantoms | popular sciences | psychics | religion | social sciences | specters | technology | witches | |
| Yaszek, Lisa. The Self Wired: Technology and Subjectivity in Contemporary Narrative. New York: Routledge, 2002. | |
| Technology | |
| Keywords: androids | Biological Sciences | cybernetics | cyborgs | electronics | film | fossils | gender studies | medicine | Psychological & Cognitive Sciences | race studies | science fiction | technology |