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Showing below keyword matches in entire database for "drama":
| Antokoletz, Elliott. Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding of the Unconscious. New York & Oxford: Oxford University Press, 2004. | |
| Social Sciences | |
| Keywords: aesthetics | ambiguity | Bela Balazs | Béla Bartók | Claude Debussy | drama | emotion | fate | gender studies | Maurice Maeterlinck | metaphor | music | philosophy | Psychological & Cognitive Sciences | social sciences | symbolism | theory | unconscious | |
| Armstrong, Gordon Scott. Theatre and Consciousness: The Nature of Bio-Evolutionary Complexity in the Arts. Artists and Issues in the Theatre: 14. New York, NY: Peter Lang, 2003. | |
| Literature, Science & the Arts | |
| Keywords: aesthetics | Biological Sciences | brain | drama | evolution | evolution | genetics | psychological and cognitive sciences | Psychology | |
| Bennett, Jacob. The Meaning of the Digby Mary Magdalen Studies in Philology 101 (Winter 2004): 38-47. | |
| Rhetoric of Science | |
| Keywords: drama | literature—medieval | Mary Magdalene | rhetoric of science | |
| Bogue, Ronald. Deleuze's Wake: Tributes and Tributaries. Albany: State University New York Press, 2004. | |
| Theory | |
| Keywords: Carmelo Bene | drama | Franz Kafka | gender studies | Gilles Deleuze | Heinrich von Kleist | literature—20th C | Marcel Proust | masochism | medicine | power | rhetoric of science | Samuel Beckett | science & technology studies | sickness | signs | social sciences | theory | war | |
| Burnett, Mark Thornton. Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture. Houndmills, UK; New York: Palgrave Macmillan, 2002. | |
| Social Sciences | |
| Keywords: disability studies | drama | medicine | monsters | rhetoric of science | social sciences | William Shakespeare | |
| Burnett, Mark Thornton. Constructing “Monsters” in Shakespearean Drama and Early Modern Culture. New York: Palgrave Macmillan, 2002. | |
| Biological Sciences | |
| Keywords: Ben Jonson | Biological Sciences | Christopher Marlowe | drama | literature--Renaissance | monsters | Timur | William Shakespeare | |
| Casson, John Witham. Drama, Psychotherapy and Psychosis: Dramatherapy and Psychodrama with People Who Hear Voices. Hove, East Sussex, UK & New York: Brunner-Routledge, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: drama | individualism | madness | psychodrama | Psychological & Cognitive Sciences | psychosis | psychotherapy | self | |
| Chang, Hui-hua. "Testing the Serpent of Asclepius: The Social Mobility of Greek Physicians." Ph.D. Dissertation: Indiana University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: anthropology | archaeology | Asciepius | class studies | drama | Hippocartus | literature-classic | medicine | social sciences | |
| Crow, Brian. “African Metatheater: Criticizing Society, Celebrating the Stage.” Research African Literatures 33:1 (2002): 133-143. | |
| Social Sciences | |
| Keywords: drama | social sciences | |
| Davies, Telory Williamson. "Performing Disability: Representations of Disability and Illness in Contemporary American Performance." Ph.D. Dissertation: Stanford University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: aesthetics | aphasia | Bill T. Jones | Cherré Moraga | disability | drama | illness | Joseph Chaikin | medicine | theory | visual arts--20th C | |
| Demastes, William W. Staging Consciousness: Theater and the Materialization of Mind. Ann Arbor: University Michigan Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: consciousness | drama | mind | psychological and cognitive sciences | |
| DeSorbo, Barbara Marie. "A Diagnosis of 'Ailment Drama' (with Original Writing)." Ph.D. Dissertation: Southern Illinois University, Carbondale, 2003. | |
| Literature, Science & the Arts | |
| Keywords: drama | Edward Albee | Eugene O'Neill | Georgia Douglas Johnson | illness | medicine | Sam Shepard | Susan Glaspell | Tennessee Williams | |
| Diana, Casey Mary. ‘Addicted to Pleasures': Representing Commodities of Empire and Consumerism in Eighteenth-century English Culture. Ph.D. Dissertation: University of Illinois, Urbana-Champaign, 2001. | |
| Medicine | |
| Keywords: addiction | Alexander Pope | Daniel Defoe | drama | literature--18th C | medicine | poetry | Psychological & Cognitive Sciences | Samuel Richardson | |
| Dollinger, Roland. "Technology and Nature: From D_blin's 'Berge Meere Und Giganten' to 'A Philosophy of Nature.'" A Companion to the Works of Alfred D_blin. Studies in German Literature, Linguistics, and Culture. Eds. Roland Dollinger, Wulf Koepke, and Heidi Thomann Tewarson. Rochester, NY: Camden House, 2003. | |
| Literature, Science & the Arts | |
| Keywords: Alfred D_blin | Biological Sciences | drama | film | G_nter Grass | literature--20th C | narrative | radio | radio | religion | |
| Donaldson, Peter S. “Cinema and the Kingdom of Death: Loncraine's Richard III.”Shakespeare Quarterly 53:2 (2002): 241-259. | |
| Technology | |
| Keywords: death | drama | film | technology | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Theory | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | theory | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Technology | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | technology | William Shakespeare | |
| Egerton, Katherine Elizabeth. "'Sick in Twos and Threes and Fours': Representation, Redemption, and Mental Illness in Arthur Miller's Later Plays." Ph.D. Dissertation: University North Carolina, Chapel Hill, 2003. | |
| Literature, Science & the Arts | |
| Keywords: Arthur Miller | disease | drama | film | gender studies | hysteria | insanity | medicine | psychological and cognitive sciences | social sciences | |
| Elleström, Lars. Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically. Lewisburg, PA: Bucknell University Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: allegory | ambiguity | Charles Dickens | Charles Dickens | Cleanth Brooks | deconstruction | Dmitry Shostakovich | drama | Eduard Hanslick | film | Friedrich Schlegel | hermeneutics | humor | hyperbole | irony | Linda Hutcheson | literature--general | Ludwig von Beethoven | Marcel Duchamp | metaphor | music | mysticism | myths | paradox | parody | postmodernism | psychological and cognitive sciences | René Magritte | rhetoric of science | Rudolf Arnheim | sarcasm | satire | semiotics | Socrates | Søren Kierkegaard | surrealism | symbolism | visual arts—general | William Shakespeare | |
| Garner, Stanton B., Jr. "Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage." Modern Drama: Defining the Field. Eds. Ric Knowles, Joanne Tompkins, and W. B. Worthen. Toronto: University Toronto Press, 2003. 67-79. | |
| Literature, Science & the Arts | |
| Keywords: drama | experimental medicine | Émile Zola | medicine | naturalism | physiology | |
| Garrett, Shawn-Marie. “Return of the Repressed.” Theater Journal 32:1 (2002): 23-31. | |
| Social Sciences | |
| Keywords: drama | race studies | social sciences | |
| Geraghty, Lincoln. "Telling Tales of the Future: Science Fiction and Star Trek's Exemplary Narratives." Reconstruction: Studies in Contemporary Culture 3.2 (2003): 22- . | |
| Literature, Science & the Arts | |
| Keywords: drama | exemplarity | popular sciences | rhetoric of science | science fiction | Star Trek | television | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | theory | visual arts—20th C | William Shakespeare | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | technology | visual arts—20th C | William Shakespeare | |
| Hayes, Michael T., and Rhonda S. Black. "Troubling Signs: Disability, Hollywood Movies and the Construction of a Discourse of Pity." Disability Studies Quarterly 23.2 (2003): 114-32. | |
| Literature, Science & the Arts | |
| Keywords: disability | drama | film | Michel Foucault | pity | rhetoric of science | technology | |
| Hotchkiss, Lia M. “The Incorporation of Word as Image in Peter Greenaway’s Prospero’s Books.” In Starks (Colletions): pp. 95-120. [2002] | |
| Rhetoric of Science | |
| Keywords: drama | film | literature—20th C | Peter Greenaway | rhetoric of science | technology | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | theory | utopias | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | technology | utopias | visual arts—20th C | William Shakespeare | |
| Jernigan, Daniel. "Tom Stoppard and 'Postmodern Science': Normalizing Radical Epistemologies in Hapgood and 'Arcadia.'" Comparative Drama 37.1 (2003): 3-35. | |
| Literature, Science & the Arts | |
| Keywords: Charles Hapgood | drama | literature--20th C | postmodernism | rhetoric of science | Tom Stoppard | |
| Kane, Thomas Henry. "Last Acts: Automortography and the Cultural Performance of Death in the United States, 1968-2001." Ph.D. Dissertation: University Virginia, 2003. | |
| Literature, Science & the Arts | |
| Keywords: AIDS | Arthur Ashe | autobiography | Bill T. Jones | Charles Bukowski | death | Donald Barthelme | drama | elegy | ethics | identity | Kathy Acker | literature--20th, 21st C | Martin Luther King, Jr. | melancholia | mourning | music | postmodernism | psychological and cognitive sciences | Raymond Carver | Thomas Yingling | Tom Joslin | Tupac Shakur | |
| Kershaw, Baz. “Ecoactivist Performance: The Environment as Partner in Protest?” Drama Review 46 (Spring 2002): 118-130. | |
| Environmental Sciences | |
| Keywords: drama | environmental sciences | Greenpeace | |
| Kittler, Friedrich. "Man as a Drunken Town-Musician." Modern Language Notes 118.3 (2003): 637-652. | |
| Literature, Science & the Arts | |
| Keywords: drama | knowledge | literature--20th C | nature | science and technology studies | writing | |
| Klatt, Maryanna Danis. The Social Construct of the Doctor-Patient Relationship: Origins and Potential for Change. Ph.D. Dissertation: Ohio State University, 2002. | |
| Medicine | |
| Keywords: drama | literature--20th C | Margaret Edson | medicine | rhetoric of sciences | social sciences | |
| Lambert, Ladina Bezzola, and Balz Engler, eds. Shifting the Scene: Shakespeare in European Culture. Newark: University Delaware Press, 2004. | |
| Social Sciences | |
| Keywords: biography | culture studies | drama | literature—Renaissance | social sciences | William Shakespeare | |
| Lehmann, Courtney. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca, NY; London: Cornell University Press, 2002. | |
| Technology | |
| Keywords: drama | film | technology | William Shakespeare | |
| Levy, Michael M. “Dutchess of Malfi Revisited: J.R. Dunn's Science Fiction Revenge Tragedy.” Extrapolation 43:4 (Winter 2002): 456-465. | |
| Popular Sciences | |
| Keywords: drama | J.R. Dunn | John Webster | popular sciences | revenge | symbolism | |
| Lustig, Harry, and Kirsten Shepherd-Barr. “Science as Theater.” American Scientist 90:6 (Nov.-Dec. 2002): 550-556. | |
| Popular Sciences | |
| Keywords: alchemy | allegory | Ben Jonson | Bertolt Brecht | Biological Sciences | C.P. Snow | Charles Darwin | Christopher Marlow | drama | ethics | evolution | George Bernard Shaw | Hallie Flanagan | literature—Renaissance | metaphor | metaphor | Michael Frayn | nuclear power | Paul Mullin | Physical Sciences | physics | popular sciences | social sciences | technology | Timberlake Wertenbaker | Tom McGrath | visual arts—20th C | |
| McCandless, David. “A Tale of Two Tituses: Julie Taymor's Vision on Stage and Screen.” Shakespeare Quarterly 53:4 (2002): 487-511. | |
| Psychological & Cognitive Sciences | |
| Keywords: drama | film | horror | psychological and cognitive sciences | trauma | William Shakespeare | |
| McNair, Alexander J. "Rosemary and Thyme in Lope De Vega's 'Cuando Las Secas Encinas.'" Calliope: Journal of the Society for Renaissance & Baroque Hispanic Poetry 9.2 (2003): 37-60. | |
| Literature, Science & the Arts | |
| Keywords: drama | herbalism | literature-16th C | Lope de Vega | medicine | |
| Mendelsohn, Daniel Adam. Gender and the City in Euripides' Political Plays. Oxford; New York: Oxford University Press, 2002. | |
| Social Sciences | |
| Keywords: drama | Euripides | literature--classical | mythology | Psychological & Cognitive Studies | social sciences | tragedy | |
| Menon, Madhavi. Wanton Words: Rhetoric and Sexuality in English Renaissance Drama. Toronto: University Toronto Press, 2004. | |
| Rhetoric of Science | |
| Keywords: allegory | Ben Jonson | culture studies | drama | gender studies | language | literature—Renaissance | metaphor | race studies | rhetoric of science | social sciences | theory | William Shakespeare | |
| Parker-Starbuck, Jennifer. Cyborg Theatre: Corporeal/technological Intersections in Multimedia." Ph.D. Dissertation: City University New York, 2003. | |
| Literature, Science & the Arts | |
| Keywords: aesthetics | Biological Sciences | Cathy Weis | computers and digital sciences | cyborgs | drama | George Coates | identification | metaphor | posthumanism | social sciences | technology | theory | Wooster Group | |
| Primeau, Ronald. Herbert Woodward Martin and the African American Tradition in Poetry. Kent, OH: Kent State University Press, 2004. | |
| Social Sciences | |
| Keywords: drama | Herbert Woodward Martin | literature—20th C | music | opera | Paul Laurence Dunbar | poetry | race studies | social sciences | |
| Purinton, Marjean D. "Staging the Physical: Romantic Science Theatricalized in T. L. Beddoes's 'The Brides' Tragedy.'" European Romantic Review 14.1 (2003): 81-95. | |
| Literature, Science & the Arts | |
| Keywords: drama | gender studies | literature--19th C | medicine | poetry | romanticism | Thomas Lovell Beddoes | |
| Rangarajan, Mahesh, and Arvind Krishna Mehrotra. "Five Nature Writers: Jim Corbett, Kenneth Anderson, Salim Ali, Kailash Sankhala, and M. Krishnan." A History of Indian Literature in English. Ed. Arvind Krishna Mehrotra. New York, NY: Columbia University Press, 2003. 351-65. | |
| Literature, Science & the Arts | |
| Keywords: drama | environmental sciences | Jim Corbett | Kailash Sankhala | Kenneth Anderson | M. Krishnan | Occult Sciences | poetry | Salim Ali | spiritualism | translation | |
| Reynolds, Bryan. “Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare.” In Starks (Collections): pp. 143-164. [2002] | |
| Occult Sciences | |
| Keywords: Charles Manson | drama | film | Gilles Deleuze | literature—20th C | Occult Sciences | Roman Polanski | technology | visual arts—20th C | William Shakespeare | witchcraft | |
| Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002] | |
| Theory | |
| Keywords: drama | film | literature—20th C | Svend Gade | theory | William Shakespeare | |
| Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002] | |
| Technology | |
| Keywords: drama | film | literature—20th C | Svend Gade | technology | William Shakespeare | |
| Sarrazin, Natalie Rose. "Singing in Tejaji's Temple: Music and Ritual Trance Healing Performance in Rajasthan." Ph.D. Dissertation: University Maryland, College Park, 2003. | |
| Literature, Science & the Arts | |
| Keywords: anthropology | drama | folklore | medicine | music | mythology | narrative | ritual | social sciences | trance | |
| Smith, J A, and C. Kelly, C “Stylistic Constancy and Change across Literary Corpora: Using Measures of Lexical Richness to Date Works.” Computers and the Humanities 36:4 (2002): 411-430. | |
| Computers & Digital Technology | |
| Keywords: Aristophanes | computers and digital technology | drama | Euripides | literature—classical | rhetoric of science | Terence | theory | |
| Starks, Lisa S. “Cinema of Cruelty: Powers of Horror in Julie Taymor’s Titus.” In Starks (Collections): pp. 121-142. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: Carol Clover | drama | film | gender studies | horror | Julia Kristeva | Julie Teymor | literature—20th C | psychological and cognitive sciences | technology | visual arts—20th C | William Shakespeare | |
| Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002] | |
| Theory | |
| Keywords: drama | film | Jean Baudrillard | literature—20th C | theory | William Shakespeare | |
| Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002] | |
| Technology | |
| Keywords: drama | film | Jean Baudrillard | literature—20th C | technology | William Shakespeare | |
| Sugiera, Malgorzata. “Theatricality and Cognitive Science: The Audience's Perception and Reception.” SubStance 31:2&3 (2002): 225-235. | |
| Psychological & Cognitive Sciences | |
| Keywords: cognitive science | drama | psychological and cognitive sciences | |
| Tomasik, Timothy Joseph. "Textual Tastes: The Invention of Culinary Literature in Early Modern France." Ph.D. Dissertation: Harvard University, 2003. | |
| Literature, Science & the Arts | |
| Keywords: cooking | cultural studies | drama | François Rabelais | literature--medieval, 16th C | medicine | Nicolas de La Chesnaye | printing press | rhetoric of science | satire | science and technology studies | social sciences | technology | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Theory | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | theory | William Shakespeare | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Technology | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | technology | William Shakespeare | |
| Weber, Caroline. Voltaire's Zaïre: Fantasies of Infidelity, Ideologies of Faith, South Central Review 21 (Summer 2004): 42-62. | |
| Social Sciences | |
| Keywords: drama | epistemology | faith | gender studies | ideology | literature—18th C | religion | social sciences | theory | tragedy | Voltaire | |
| Wolff, Tamsen. Mendel's Theatre: Performance, Eugenics, and Early Twentieth-century American Drama. Ph.D. Dissertation: Columbia University, 2002. | |
| Biological Sciences | |
| Keywords: Arthur Miller | August Strindberg | Biological Sciences | drama | Eugene O’Neill | eugenics | Eugéne Brieux | George Bernard Shaw | Gregor Mendel | Henrik Ibsen | heredity | Jerome Kern | literature: 20th C | Oscar Hammerstein II | racial studies | Susan Glaspell | Suzan-Lori Park | theory | Thornton Wilder |