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Showing below keyword matches in entire database for "comedy":
Copeland, Nancy Eileen. Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre. Aldershot, Hampshire, England & Burlington, VT: Ashgate, 2004. | |
Social Sciences | |
Keywords: Aphra Behn Susanna Centlivre | comedy | conventions | gender studies | literature—16th C | memory | race studies | social sciences | theater | |
Palmeri, Frank. Cruikshank, Thackeray, and the Victorian Eclipse of Satire. SEL Studies in English Literature 1500-1900 44 (Autumn 2004): 753-777. | |
Theory | |
Keywords: comedy | George Cruikshank | literature—19th C | narrative | Punch | rhetoric of science | satire | theory | visual art—19th C | William Makepeace Thackeray | |
Pitts, Angela Lynn. Prostitute, Muse, Lover: The Biographical Tradition of Sappho in Greek and Roman Literature. Ph.D. Dissertation: University Wisconsin, Madison, 2002. | |
Social Sciences | |
Keywords: biography | Catullus | comedy | courtesan | epigram | gender studies | literature--classical | muse | narrative | Ovid | poetry | Sappho | social sciences | |
Reynolds, Brigid E., Mixed Messages: The Problematic Pursuit of Individuality in Novels by Maupassant, the Goncourt, and Flaubert. Ph.D. Dissertation: The Ohio State University, 2004. | |
Psychological & Cognitive Sciences | |
Keywords: aesthetic | capitalism | comedy | Edmond de Goncourt | environmental sciences | epic | Gustave Flaubert | Guy de Maupassant | heredity | identity | individuality | Jules de Goncourt | literature—19th C | melodrama | naturalism | Psychological & Cognitive Sciences | social sciences | theory | theory | tragedy | transcendence | |
Trahair, Lisa. “The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton.” South Atlantic Quarterly 101:3 (2002): 573-588. | |
Technology | |
Keywords: Buster Keaton | comedy | film | film | technology | |
Vich, Victor, Edwards, Brent Hayes Edwards, and Nora Nicolini. Popular Capitalism and Subalternity: Street Comedians in Lima Social Text - 81 22 (Winter 2004): 47-64. | |
Theory | |
Keywords: Alejandro Porter | capitalism | comedy | culture studies | economics | Hernando de Soto | social sciences | symbolism | theory |