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Showing below keyword matches in entire database for "William Shakespeare":
| Ackerman, Diane. An Alchemy of Mind: The Marvel and Mystery of the Brain. New York: Scribner, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: Albert Einstein | animal studies | Biological Sciences | consciousness | dreams | emotions | evolution | gender studies | identity | language | literature—Renaissance | memory | metaphor | neuroscience | Psychological & Cognitive Sciences | rhetoric of science | social sciences | thought | trauma | William Shakespeare | |
| Amster, Mara Ilyse. 'Who Is't Can Read a Woman?': Sexuality and Legibility in Early Modern Discourses. Ph.D. Dissertation: University of Rochester, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: anatomy | gender studies | literature--16th & 17th C | medicine | popular sciences | psychological and cognitive sciences | Rowley Middleton | theater | William Shakespeare | |
| Archdeacon, Anthony R. “’Things Which Are Not’: Poetic and Scientific Attitudes to Non-entities in the Seventeenth Century.” In Jowitt (Collections): pp. 25-42. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: John Donne | literature—17th C | Margaret Cavendish | philosophy | poetry | psychological and cognitive sciences | Robert Boyle | Thomas Hobbes | William Shakespeare | |
| Archer, John Michael. Old Worlds: Egypt, Southwest Asia, India, and Russia in Early Modern Writing . Stanford, CA: Stanford University Press, 2001. | |
| Exploration Discovery & Travel | |
| Keywords: exploration discovery & travel | John Dryden | John Fletcher | John Milton | Philip Sidney | William Shakespeare | |
| Berg, Joseph Maurice. “Shakespeare as a Geneticist.” Clinical Genetics 59 (2001): 165-170. | |
| Biological Sciences | |
| Keywords: Biological Sciences | genetics | William Shakespeare | |
| Boehrer, Bruce. Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England. New York; Houndmills, UK: Palgrave, 2002. | |
| Environmental Sciences | |
| Keywords: animals | Anthony Van Dyke | Aristotle | Ben Jonson | Conrad Gesner | environmental sciences | Gilles Deleuze | Giovanni Boccaccio | John Milton | Joseph Conrad | literature—biblical | social sciences | William Shakespeare | |
| Buhler, Stephen M. Shakespeare in the Cinema: Ocular Proof. Cultural Studies in Cinema/Video. Albany: State University New York Press, 2002. | |
| Technology | |
| Keywords: film | technology | William Shakespeare | |
| Burnett, Mark Thornton. Constructing 'Monsters' in Shakespearean Drama and Early Modern Culture. Houndmills, UK; New York: Palgrave Macmillan, 2002. | |
| Social Sciences | |
| Keywords: disability studies | drama | medicine | monsters | rhetoric of science | social sciences | William Shakespeare | |
| Burnett, Mark Thornton. Constructing “Monsters” in Shakespearean Drama and Early Modern Culture. New York: Palgrave Macmillan, 2002. | |
| Biological Sciences | |
| Keywords: Ben Jonson | Biological Sciences | Christopher Marlowe | drama | literature--Renaissance | monsters | Timur | William Shakespeare | |
| Burt, Richard. “Slammin' Shakespeare In Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-integration.” Shakespeare Quarterly 53.2 (2002): 201-226. | |
| Social Sciences | |
| Keywords: film | race studies | social sciences | William Shakespeare | |
| Cavarero, Adriana. Stately Bodies: Literature, Philosophy, and the Question of Gender. Trans. Robert de Lucca and Deanna Shemek. Ann Arbor: University Michigan Press, 2002. | |
| Social Sciences | |
| Keywords: Biological Sciences | body | gender studies | John of Salisbury | literature—general | metaphor | Plato | politics | social sciences | Sophocles | Thomas Hobbes | William Shakespeare | |
| Cawelti, John G. Mystery, Violence, and Popular Culture: Essay.s Madison, WI: University Wisconsin Press/Popular Press, 2004. | |
| Social Sciences | |
| Keywords: aesthetics | Alfred Hitchcock | Andy Warhol | culture studies | gender studies | Homer | literature—classical-20th C | music | mystery | race studies | social sciences | Stuart Kaminsky | television | the Beatles | violence | William Faulkner | William Shakespeare | |
| Chalcraft, David. “Max Weber on the Watchtower: On the Prophetic Use of Shakespeare's Sonnet 102 in ‘Politics as a Vocation.'” Max Weber Studies nos. 1-2 (2001): 215-230. | |
| Social Sciences | |
| Keywords: Max Weber | social sciences | William Shakespeare | |
| Donaldson, Peter S. “Cinema and the Kingdom of Death: Loncraine's Richard III.”Shakespeare Quarterly 53:2 (2002): 241-259. | |
| Technology | |
| Keywords: death | drama | film | technology | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Theory | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | theory | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Technology | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | technology | William Shakespeare | |
| Elleström, Lars. Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically. Lewisburg, PA: Bucknell University Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: allegory | ambiguity | Charles Dickens | Charles Dickens | Cleanth Brooks | deconstruction | Dmitry Shostakovich | drama | Eduard Hanslick | film | Friedrich Schlegel | hermeneutics | humor | hyperbole | irony | Linda Hutcheson | literature--general | Ludwig von Beethoven | Marcel Duchamp | metaphor | music | mysticism | myths | paradox | parody | postmodernism | psychological and cognitive sciences | René Magritte | rhetoric of science | Rudolf Arnheim | sarcasm | satire | semiotics | Socrates | Søren Kierkegaard | surrealism | symbolism | visual arts—general | William Shakespeare | |
| Eriksen, Roy. The Building in the Text: Alberti to Shakespeare and Milton . University Park, PA: Pennsylvania State University Press, 2001. | |
| Technology | |
| Keywords: architecture | Filippo Brunelleschi | Giorgio Vasari | John Milton | Leon Battista Alberti | Ludovico Ariosto | Michelangelo | technology | Torquato Tasso | William Shakespeare | |
| Fletcher, Angus, et al. "The Graver Strife: Shakespeare against Nature." Shakespearean International Yearbook: 3. Eds. Graham Bradshaw, John M. Mucciolo, Angus Fletcher, Tom Bishop, and William R. Elton. Aldershot, UK: Ashgate, 2003. 282-303. | |
| Literature, Science & the Arts | |
| Keywords: environmental sciences | nature | William Shakespeare | |
| Foulkes, Richard. Performing Shakespeare in the Age of Empire. Cambridge & New York: Cambridge University Press, 2003. | |
| Literature, Science & the Arts | |
| Keywords: imperialism | social sciences | William Shakespeare | |
| Gay, Volney P. Joy and the Objects of Psychoanalysis: Literature, Belief, and Neurosis. Nashville, TN: Vanderbilt University Press, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: Edith Wharton | Homer | Lev Tolstoi | medicine | Nathaniel Hawthorne | Plato | psychological and cognitive sciences | rhetoric of science | William Shakespeare | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | theory | visual arts—20th C | William Shakespeare | |
| Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | technology | visual arts—20th C | William Shakespeare | |
| Halpern, Richard. Shakespeare's Perfume: Sodomy and Sublimity in the Sonnets, Wilde, Freud, and Lacan. Philadelphia: University Pennsylvania Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: gender studies | Jacques Lacan | Oscar Wilde | psychological and cognitive sciences | Sigmund Freud | social sciences | William Shakespeare | |
| Hammond, Paul. Figuring Sex between Men from Shakespeare to Rochester. Oxford; New York: Oxford University Press, 2002. | |
| Social Sciences | |
| Keywords: gender studies | literature—17th C | social sciences | William Shakespeare | |
| Hirsch, Edward. The Demon and the Angel: Searching for the Source of Artistic Inspiration. Orlando, FL: HarcourtBooks, 2002. | |
| Theory | |
| Keywords: aesthetics | Arthur Rimbaud | Billie Holiday | Christopher Maurer | dance | Dante Alighieri | Edgar Allan Poe | expressionism | Federico Garcia Lorca | Francisco José Goya | Frank O’Hara | Friedrich Wilhelm Nietzsche | Gerard Manley Hopkins | Ignacio Sánchez Meijías | Jackson Pollock | Johann Wolfgang von Goethe | John Keats | Mark Rothko | Miles Davis | music | Pablo Picasso | Percy Bysshe Shelley | poetry | Ralph Waldo Emerson | Ranier Maria Rilke | Robert Motherwell | surrealism | theory | visual arts—19th-20th C | W.B. Yeats | Wallace Stevens | Walt Whitman | William Carlos Williams | William Shakespeare | |
| Holderness, Graham. Visual Shakespeare: Essays in Film and Television. Hatfield, UK: University Hertfordshire Press, 2002. | |
| Technology | |
| Keywords: film | technology | television | William Shakespeare | |
| Holland, Norman N. “'The barge she sat in': Psychanalysis and Diction.” Psychoanalytic Studies 3 (2001): 79-94. | |
| Psychological & Cognitive Sciences | |
| Keywords: language | psychological and cognitive sciences | William Shakespeare | |
| Hotchkiss, Lia M. “The Incorporation of Word as Image in Peter Greenaway’s Prospero’s Books.” In Starks (Colletions): pp. 95-120. [2002] | |
| Rhetoric of Science | |
| Keywords: drama | film | literature—20th C | Peter Greenaway | rhetoric of science | technology | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Theory | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | theory | utopias | visual arts—20th C | William Shakespeare | |
| Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002] | |
| Technology | |
| Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | technology | utopias | visual arts—20th C | William Shakespeare | |
| Hutson, Lorna. “Not the King's Two Bodies: Reading the ‘Body Politic' in Shakespeare's Henry IV, Parts 1 and 2.” In Kahn (Collections), pp. 166-192. [2001] | |
| Social Sciences | |
| Keywords: Edmund Plowden | law | social sciences | William Shakespeare | |
| Janowitz, Henry D. “The Transformation of Medicine by the Magic of Music in the Romances of Shakespeare .” J R Soc Med 94 (2001): 541-543. | |
| Medicine | |
| Keywords: medicine | music | William Shakespeare | |
| Ko, Yu Jin. Mutability and Division on Shakespeare's Stage. Newark: University of Delaware Press, 2004. | |
| Theory | |
| Keywords: criticism | death | literature—Renaissance | mortality | theory | William Shakespeare | |
| Lambert, Ladina Bezzola, and Balz Engler, eds. Shifting the Scene: Shakespeare in European Culture. Newark: University Delaware Press, 2004. | |
| Social Sciences | |
| Keywords: biography | culture studies | drama | literature—Renaissance | social sciences | William Shakespeare | |
| Landreth, David. Once More into the Preech: The Merry Wives' English Pedagogy. Shakespeare Quarterly 55 (Winter 2004): 420-449. | |
| Rhetoric of Science | |
| Keywords: literature—Renaissance | pedagogy | rhetoric of science | William Shakespeare | |
| Lanier, Douglas M. “Shakescorp Noir.” Shakespeare Quarterly 53:2 (2002): 157-180. | |
| Technology | |
| Keywords: film | postmodernism | technology | William Shakespeare | |
| Lehmann, Courtney. “Crouching Tiger, Hidden Agenda: How Shakespeare and the Renaissance Are Taking the Rage Out of Feminism.” Shakespeare Quarterly 53:2 (2002): 260-279. | |
| Social Sciences | |
| Keywords: film | gender studies | literature--Renaissance | social sciences | William Shakespeare | |
| Lehmann, Courtney. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca, NY; London: Cornell University Press, 2002. | |
| Technology | |
| Keywords: drama | film | technology | William Shakespeare | |
| Logan, William. “Milton in the Modern: The Invention of Personality.” In Post (Collections): pp. 160-175. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: George Herbert | John Milton | literature—16th-17th C | poetry | psychological and cognitive sciences | Robert Lowell | theory | William Shakespeare | |
| MacDonald, Paul S. and Ken Abraham. History of the Concept of Mind: Speculations about Soul, Mind and Spirit from Homer to Hume. Aldershot, UK: Ashgate 2003. | |
| Literature, Science & the Arts | |
| Keywords: Aristotle | Augustine of Hippo | Baruch Spinoza | Geoffrey Chaucer | Gottfried Leibniz | Homer | literature-classical | literature-Renaissance | mind | Occult Sciences | Plato | psychological and cognitive sciences | religion | René Descartes | soul | spirit, | theory | William Shakespeare | |
| Marshall, Cynthia. “The Shattering of the Self.” Baltimore: Johns Hopkins University Press, 2002. | |
| Psychological & Cognitive Sciences | |
| Keywords: Barnabe Barnes | body | catharsis | Elizabeth J. Bellamy | gender studies | George Herbert | Gilles Deleuze | Heather Dubrow | identity | Jacob Burckhardt | Jacques Lacan | Jean Laplanche | John Ford | John Foxe | Julia Kristeva | Kaja Silverman | Leo Bersani | Leopold von Sacher-Masoch | literature—general | Marquis de Sade | Maurice Merleau-Ponty | Michael Drayton | Nicholas Coeffeteau | Ovid | Petrarch | pornography | postmodernism | psychoanalysis | psychological and cognitive sciences | Richard Boothby | Roland Barthes | Samuel Daniel | Sigmund Freud | Slavoj Žižek | Stanley Cavell | Stephen Greenblatt | Timothy Bright | William Shakespeare | |
| McCandless, David. “A Tale of Two Tituses: Julie Taymor's Vision on Stage and Screen.” Shakespeare Quarterly 53:4 (2002): 487-511. | |
| Psychological & Cognitive Sciences | |
| Keywords: drama | film | horror | psychological and cognitive sciences | trauma | William Shakespeare | |
| Menon, Madhavi. Wanton Words: Rhetoric and Sexuality in English Renaissance Drama. Toronto: University Toronto Press, 2004. | |
| Rhetoric of Science | |
| Keywords: allegory | Ben Jonson | culture studies | drama | gender studies | language | literature—Renaissance | metaphor | race studies | rhetoric of science | social sciences | theory | William Shakespeare | |
| Mentz, Steve. Reason, Faith, and Shipwreck in Sidney's New Arcadia. SEL Studies in English Literature 1500-1900 44 (Winter 2004): 1-18. | |
| Exploration Discovery & Travel | |
| Keywords: exploration discovery & travel | literature—Renaissance | metaphor | neo-Platonism | reason | religion | William Shakespeare | |
| Neely, Carol Thomas. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca, NY: Cornell University Press, 2004. | |
| Social Sciences | |
| Keywords: Bedlam | culture studies | gender | gender studies | literature—Renaissance | madness | melancholy | Psychological & Cognitive Sciences | social sciences | Thomas Kyd | William Shakespeare | |
| Nieves, Ervin. Beyond Darwinism: Chicana/o Literature and Modern Scientific Literary Analysis: Rereading Josefina (Josephina) Niggli and Oscar Zeta Acosta. Ph.D. Dissertation: University Iowa, 2004. | |
| Biological Sciences | |
| Keywords: aggression | allegory | anthropology | archetype | biochemistry | biography | Biological Sciences | Charles Darwin | class studies | culture studies | ethnography | evolution | Georg Mendel | Henrik Ibsen | John B. Watson | Jose Vasconcelos | Josefina Niggli | Konrad Lorenz | Leopold Zea. George Bernard Shaw | Mark Twain | Mediz Bolio | neuroscience | Oscar Zeta Acosta | postmodernism | Psychological & Cognitive Sciences | race studies | Robert Ardrey | satire | Sigmund Freud | social sciences | violence | William Shakespeare | |
| Oatley, Keith. “ Shakespeare's Invention of Theater as Simulation that Runs on Minds .” Empirical Studies of the Arts 19 (2001): 27-45. | |
| Theory | |
| Keywords: Computers & Digital Technology | theory | William Shakespeare | |
| Osborne, Laurie E. “Clip Art: Theorizing the Shakespeare Film Clip.” Shakespeare Quarterly 53:2 (2002): 227-240. | |
| Theory | |
| Keywords: film | pedagogy | technology | theory | William Shakespeare | |
| Parry, Hugh . Visions of Enchantment: Essays on Magic in Fiction . Lanham, MD, Oxford: University Press of America, 2001. | |
| Occult Sciences | |
| Keywords: Euripides | folklore | Henri Bosco | John Fowles | literature—general | magic | mythology | Occult Sciences | William Shakespeare | |
| Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: University of Chicago Press, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: body | emotions | knowledge | literature—Renaissance | mind | Psychological & Cognitive Sciences | theater | William Shakespeare | |
| Perrault, Katherine Bartol. Astronomy, Alchemy, and Archetypes: An Integrated View of Shakespeare's 'A Midsummer Night's Dream' Ph.D. Dissertation: Texas Technological University, 2001. | |
| Physical & Mathematical Sciences | |
| Keywords: alchemy | archetype | astronomy | Carl Jung | literature--16 h C | metaphor mythology | numerology | Occult Sciences | physical and mathematical sciences | symbolism | theater | William Shakespeare | |
| Perrault, Katherine Bartol. Astronomy, Alchemy, and Archetypes: An Integrated View of Shakespeare's A Midsummer Night's Dream. Ph.D. Dissertation: Texas Tech University, 2001. | |
| Occult Sciences | |
| Keywords: alchemy | astronomy | Carl Jung | Occult Sciences | physical & mathematical sciences | Psychological & Cognitive Sciences | William Shakespeare | |
| Peterson, Kaara L. Pathology and Performance: Representing Hysterical Disease in Early Modern England. Ph.D. Dissertation: Boston University, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: Castiglione Rabelais | Edmund Spenser | gender studies | George Chapman | hysteria | John Ford | medicine | melancholy | psychoanalysis | psychological and cognitive sciences | Robert Burton | Rowley Middleton | social sciences | theater | Thomas Kyd | William Shakespeare | |
| Poole, William. False Play: Shakespeare and Chess. Shakespeare Quarterly 55 (Spring 2004): 50-70. | |
| Physical & Mathematical Sciences | |
| Keywords: chess | class studies | gambling | literature—classical & Renaissance | metaphor | physical & mathematical sciences | social sciences | William Shakespeare | |
| Quinn, Kelly A. Ecphrasis and Reading Practices in Elizabethan Narrative Verse. SEL Studies in English Literature 1500-1900 44 (Winter 2004): 19-35. | |
| Rhetoric of Science | |
| Keywords: literature—Renaissance | Michael Drayton | poetry | rhetoric of science | Samuel Daniel | William Shakespeare | |
| Reynolds, Bryan. “Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare.” In Starks (Collections): pp. 143-164. [2002] | |
| Occult Sciences | |
| Keywords: Charles Manson | drama | film | Gilles Deleuze | literature—20th C | Occult Sciences | Roman Polanski | technology | visual arts—20th C | William Shakespeare | witchcraft | |
| Rose, Mary Beth. Gender and Heroism in Early Modern English Literature. Chicago: University Chicago Press, 2002. | |
| Social Sciences | |
| Keywords: Aphra Behn | autobiography | Ben Jonson | Christopher Marlowe | courage | Elizabeth I | gender studies | heroism | John Milton | literature--16th-17th C | Mary Astell | social sciences | William Shakespeare | |
| Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002] | |
| Theory | |
| Keywords: drama | film | literature—20th C | Svend Gade | theory | William Shakespeare | |
| Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002] | |
| Technology | |
| Keywords: drama | film | literature—20th C | Svend Gade | technology | William Shakespeare | |
| Russell, Kara Molway. Best of Bedlam: Madness on the English Renaissance Stage. Ph.D. Dissertation: University of Rochester, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: Ben Johnson | John Webster | literature—Renaissance | madness | psychological and cognitive sciences | theater | Thomas Kyd | Thomas Middleton | William Rowley | William Shakespeare | |
| Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare's Stage. London; New York: Routledge, 2002. | |
| Social Sciences | |
| Keywords: gender studies | literature—17th C | social sciences | William Shakespeare | |
| Sacks, Peter. “The Face of the Sonnet: Wyatt and Some Early Features of the Tradition.” In Post (Collections): pp. 17-40. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: Bernard Williams | Dante Alighieri | Earl of Surrey | Henry Howard | literature—medieval | literature—Renaissance | Niccolo Degli Abbizi | Petrarch | poetry | psychological and cognitive sciences | Sir Thomas Wyatt | William Shakespeare | |
| Samuels, Robert. Writing Prejudices: The Psychoanalysis and Pedagogy of Discrimination from Shakespeare to Toni Morrison . Albany, NY: State University of New York Press, 2001. | |
| Psychological & Cognitive Sciences | |
| Keywords: gender studies | psychoanalysis | psychological and cognitive sciences | race studies | Toni Morrison | William Shakespeare | |
| Sokol, B. J. A Brave New World of Knowledge: Shakespeare's 'The Tempest' and Early Modern Epistemology. Madison, NJ: Fairleigh Dickinson University Press, 2003. | |
| Literature, Science & the Arts | |
| Keywords: epistemology | interdisciplinarity | literature-16th C | theory | William Shakespeare | |
| Starks, Lisa S. “Cinema of Cruelty: Powers of Horror in Julie Taymor’s Titus.” In Starks (Collections): pp. 121-142. [2002] | |
| Psychological & Cognitive Sciences | |
| Keywords: Carol Clover | drama | film | gender studies | horror | Julia Kristeva | Julie Teymor | literature—20th C | psychological and cognitive sciences | technology | visual arts—20th C | William Shakespeare | |
| Starks, Lisa S. "’Remember Me’: Psychoanalysis, Cinema, and the Crisis of Modernity.” Shakespeare Quarterly 53:2 (2002): 181-200. | |
| Psychological & Cognitive Sciences | |
| Keywords: film | literature--20th C | modernity | postmodernism | psychoanalysis | psychological and cognitive sciences | Sigmund Freud | William Shakespeare | |
| Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002] | |
| Theory | |
| Keywords: drama | film | Jean Baudrillard | literature—20th C | theory | William Shakespeare | |
| Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002] | |
| Technology | |
| Keywords: drama | film | Jean Baudrillard | literature—20th C | technology | William Shakespeare | |
| Stevenson, Melanie A. “Othello, Darwin, and the Evolution of Race in Anne-Marie MacDonald's Work.” Canadian Literature no. 168 (Spring 2001): 34-53. | |
| Biological Sciences | |
| Keywords: Anne-Marie MacDonald | Biological Sciences | Charles Darwin | evolution | race studies | William Shakespeare | |
| Traub, Valerie. The Renaissance of Lesbianism in Early Modern England. Cambridge: Cambridge University Press, 2002. | |
| Social Sciences | |
| Keywords: gender studies | literature—16th C | social sciences | William Shakespeare | |
| Walen, Denise A. “Constructions of Female Homoerotics in Early Modern Drama.” Theatre Journal 54:3 (2002): 411-430. | |
| Social Sciences | |
| Keywords: gender studies | John Lyly | literature—17th C | Robert Wilson | social sciences | William Shakespeare | |
| Waltonen, Karma. Saint Joan: From Renaissance Witch to New Woman. SHAW The Annual of Bernard Shaw Studies 24 (2004): 186-203. | |
| Social Sciences | |
| Keywords: Bernard Shaw | gender studies | Joan of Arc | literature--Renaissance & 19th C | social sciences | William Shakespeare | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Theory | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | theory | William Shakespeare | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Technology | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | technology | William Shakespeare | |
| Willis, Deborah. "’The Gnawing Vulture’": Revenge, Trauma Theory, and Titus Andronicus.” Shakespeare Quarterly 53:1 (2002): 21-52. | |
| Psychological & Cognitive Sciences | |
| Keywords: gender studies | psychological and cognitive sciences | revenge | social sciences | trauma | William Shakespeare | |
| Wood, David Houston. Very Now: Temporal Aspects of Melancholy in Early Modern English Literature. Ph.D. Dissertation: Purdue University, 2004. | |
| Psychological & Cognitive Sciences | |
| Keywords: emotion | gender studies | humors | John Milton | literature—16th C | medicine | melancholy | narrative | narrative | Philip Sidney | postructuralism | Psychological & Cognitive Sciences | psychosomatics | social sciences | theory | William Shakespeare | |
| Zornado, Joseph L. Inventing the Child: Culture, Ideology, and the Story of Childhood. New York: Garland Pub., 2001. | |
| Social Sciences | |
| Keywords: Brothers Grimm | literature--19th & 20th C | literature--children's | Maurice Sendak | race studies | Sigmund Freud | social sciences | Walt Disney | William Shakespeare |