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Showing below keyword matches in entire database for "Jean-Luc Godard":
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Theory | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | theory | William Shakespeare | |
| Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002] | |
| Technology | |
| Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | technology | William Shakespeare | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Theory | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | theory | William Shakespeare | |
| Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002] | |
| Technology | |
| Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | technology | William Shakespeare |