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digest 2006-03-30 #001.txt

litsci-l-digest        Thursday, March 30 2006        Volume 01 : Number
149



In this issue:

     Re: Super Cosmos Galley Online Now for a day or two only
     SUB 06: Creative Integration: Science, Creative-Writing,
Collaboration, and Original Voice
     sub-06 Making Loss Visible Through Fiction, the Visual Arts,
Legislative  Testimony and Legal Briefs 

----------------------------------------------------------------------

Date: Wed, 29 Mar 2006 14:36:15 -0800
From: Jack Sarfatti 
Subject: Re: Super Cosmos Galley Online Now for a day or two only

"Forced lobotomy" sounds like a threat of physical violence from you  
to me according to my attorney. You are unstable. That is a very  
inappropriate response to a single message about a book that is on  
the cutting edge of literature and science.


> On Mar 29, 2006, at 2:01 PM, Robert Martinez wrote:
>
>> Why am I getting this nonsensical spam through the listserv?   
>> Perhaps a
>> forced lobotomy would be the appropriate response.
>>
>>
>> ----- Original Message -----
>> From: "Jack Sarfatti" 
>> To: "SLS Listserv" 
>> Sent: Wednesday, March 29, 2006 4:26 PM
>> Subject: Fwd: Super Cosmos Galley Online Now for a day or two only
>>
>>
>>>
>>>>
>>>> Begin forwarded message:
>>>>
>>>>>>>
>>>>>>>
>>>>>> Only for a day or two you can download 9 meg file
>>>>>>
>>>>>> Uncorrected galley is at http://qedcorp.com/uri/galley.pdf 
>>>>>>
>>>>>>> Galley corrections Super Cosmos ... by Jack Sarfatti
>>>>>>
>>>>>> SECOND REVISED EXPANDED EDITION
>>
>> -
>> +-+-+-+-+-+
>> Please see the following URL for the LITSCI-L archive, Web resource
>> links and unsubscribing info:
>> http://www.law.duke.edu/sls 
>>
>

- -
+-+-+-+-+-+
Please see the following URL for the LITSCI-L archive, Web resource
links and unsubscribing info:
http://www.law.duke.edu/sls 

------------------------------

Date: Wed, 29 Mar 2006 17:44:08 -0500
From: Lauren Gunderson 
Subject: SUB 06: Creative Integration: Science, Creative-Writing,
Collaboration, and Original Voice

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Creative Integration: Science, Creative-Writing, Collaboration, and =20
Original Voice

Featured artists in four different genres of literature will discuss =20
science as element, structure, and inspiration. Questions we will =20
pose and address will include: What is the evolution of form in terms
=20=

of science-creative-writing? What common artistic vernacular does =20
science provide? What makes art and science true and applicable? When
=20=

is science science-fiction? The four panelists will jointly create =20
and support a blog in order to explore collaboration among different =20
artists with a scientific theme. The results of this blog-=20
collaboration will be included in our presentation.



KEYWORDS: science, science education, creative writing, =20
interdisciplinary studies



SCREENWRITING:
Dr. Ray Brown has written numerous short stories and poems and =20
recently began screen writing. Ray's background includes professional
=20=

photographer, tennis coach , management consultant, mathematician, =20
neuroscientist, sky diver, author, surrealistic painter, inventor, =20
modeling instructor, and now screenwriter. Other screenplays: THE =20
ROBERY, a surrealistic drama about the possibility of recovering from
=20=

child abuse and A COUNTRY DOCTOR, a drama about the plight of women =20
to find their place as leaders of society. Dr. Brown has published =20
numerous scientific papers, has been an invited speaker, a =20
distinguished lecturer and is a referee for scientific journals. Ray =20
is listed in Marquis Who's who in America.

Ray Brown, Ph.D.

901 N. Nelson Street #802

Arlington, VA 22203

703 243 0475

raybrown@erols.com 

POETRY:
A poet, Annemarie has recently done a project on the brain. She has =20
written twelve poems on neuroscience based on discussions with =20
neuroscientists. She performed these brain poems in Dutch in the =20
Antwerp Lab for Theoretical Neurobiology on 15th March, and will read
=20=

their English translations on 15th June for the SLSA conference in =20
Amsterdam, wherein she is organising the whole sci/technopoetry =20
reading. She received her PhD (2004) on her dissertation "Jeanette =20
Winterson's Enchanted Science" -- a novelist also writing about =20
science. Annemarie=92s poetry suggests a hint of the magical in our =20
controlled urban environment of concrete and asphalt geometries. Her =20
poems reveal spiritual presence in what can be quantified, managed =20
and measured. But can the human spirit be measured as well? Religion =20
and psychology seem to be voices in the wind, when compared to the =20
new insights of neuroscience. Are subjectivity, spirituality and =20
creativity really =91just=92 products of neurons and networks? And if =
so, =20
what does that world of electric signaling look like? Annemarie works
=20=

at the Theoretical Neurobiology lab at Antwerp University to look for
=20=

the answers and mysteries of the human brain.



Annemarie Estor, Ph.D.

Van den Nestlei 34 bus 9

2018 Antwerp

Belgium

annemarie.estor@skynet.be 
http://annemarie.estor.nl 

CREATIVE NON-FICTION/ POETRY:
Janine teaches writing and literature in the Environmental Studies =20
Department at SUNY-ESF in Syracuse, New York.  She is a poet and =20
literature professor who works on a science campus, with a strong =20
interest in environmental issues.  For the past fifteen years, she=92s
=20=

published primarily poetry, although during the last two years, she =20
has shifted to writing creative non-fiction.  She has done some =20
performance poetry and  many presentations on the topic of ecofeminism.
Much of her writing explores a connection to place, to landscape, and
=20=

she is   interested in the ways that scientific knowledge can enhance
=20=

emotional, spiritual, intuitive responses to the land.  She writes =20
about both the landscape and the body as places where we see the =20
environmental crisis played out.

Janine DeBaise

SUNY-ESF (State University of New York College of Environmental =20
Science and Forestry)

jdebaise@gmail.com 

Syracuse, NY 13210

home phone: 315-656-0204

cell phone: 315-657-0538

blog:  writingasjoe.blogspot.com


PLAYWRITING / SHORT STORY:
Lauren Gunderson, Panel Organizer, Professional Playwright and Teacher

Lauren is an Atlanta-based playwright, screenwriter, short story =20
author, and actor. Her work has received national praise and awards =20
including the Berrilla Kerr Award for American Theatre, Young =20
Playwright=92s Award, Essential Theatre Prize, Virtual Theatre Prizes
=20=

and many others. Graduating from Emory University with an already =20
deep resume, she was a finalist for the Chesterfield Screenwriting =20
Award, The Princess Grace Award, and the Heidmann Award. She has been
=20=

produced off-Broadway (Parts They Call Deep), off-off Broadway (Sus =20
Manos), recently had two new plays produced in Atlanta (Leap and =20
Background), and is finishing touring play for the Alliance Theatre=92s
=20=

Collision Project. Her first collection of plays Deepen The Mystery: =20
Science and the South Onstage was published this January. Her short =20
story Cancer/Dish was recently awarded the Noremberga Short Fiction =20
Award, She has spoken nationally and internationally on the =20
intersection of science and theatre at conference all over the world =20
including University of Glamorgan, University of Santa Barbara, =20
Wofford College, and Texas Lutheran University. She will participate =20
in the Creative Writing in Math and Science Residency in Banff, =20
Canada this summer. She is interested in science, history, world =20
intellect, social politics, feminism, and global humanism.

Lauren Gunderson
www.LaurenGunderson.com 
Lauren@laurengunderson.com 
404-966-0534
206 Rogers St. Ste 101
Atlanta, GA 30317

Lauren Gunderson
www.LaurenGunderson.com 

"The purpose of the artist is to deepen the mystery." - Francis Bacon

Check out Lauren's New Book!

DEEPEN THE MYSTERY:
Science and the South Onstage
3 Award-Winning Plays!

---------------------------------------------
>>> "Linda Layne"  3/29/2006 6:46:27 AM >>>

This panel will consist of excerpts from three of the episodes of
Motherhood Lost: Conversations, an educational television series
co-produced by Linda Layne and Heather Bailey at George Mason
University Television which advocates a women??s health approach
to pregnancy loss. Footage from ?¨Normalizing Miscarriage Through
Popular Culture: A Conversation with Heather Swain, author of
Luscious Lemon?Æ (Silver Davey award 2005, Gracie award 2006) and
?¨Making Loss Visible: A Conversation with Joanne Leonard,
Distinguished University Professor of Art and Women??s Studies,
University of Michigan?Æ and ?¨Combating the Criminalization of
Stillbirth and Miscarriage: A Conversation with Lynn Paltrow,
Esq., Executive Director of National Advocates for Pregnant
Women?Æ  will be the starting point for a discussion comparing the
strategic potentialities of the visual and verbal arts, legal
briefs and legislative testimony. What is at stake when pregnancy
loss is kept hidden or made visible?  When, why, and whose
pregnancy losses are hidden or made visible?  What roles
can/should art play?  What are the special qualities of the
visual arts, fiction, first person, and legal accounts as
expressive media for loss? How is medicine represented in each of
these accounts?



Key Words: Pregnancy Loss, Fiction, Visual Arts, Law,
Seen/Unseen, representation, medicine

 

 

Participants: 

Organizer: Linda Layne (medical anthropologist, Rensselaer)
laynel@rpi.edu

                  Heather Swain (novelist) haswain@earthlink.net

                  Joanne Leonard (artist, University of Michigan)
joannell@umich.edu

      Lynn Paltrow (lawyer, National Advocates for Pregnant Women) 
LMPNYC@aol.com


 

 

Format: 

15 min excerpt x 3 videos= 45 min

5 min. per speaker= 15

30 min open discussion

 

 

 

 

 

 

 

Linda L. Layne

Hale Professor of Humanities and Social Sciences

Professor of Anthropology

Dept of Science and Technology Studies

Rensselaer

Troy, NY 12180

fax 518-276-2659

laynel@rpi.edu. 

http://www.rpi.edu/dept/sts/faculty/Layne/