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digest 1998-10-14 #001.txt
From: "Society for Literature & Science"
Daily SLS Email Digest
-> AI and narrative symposium
by Ann Weinstone
Date: 13 Oct 1998 13:57:43 -0700
From: Ann Weinstone
Subject: AI and narrative symposium
>Michael Mateas and I are organizing a proposed 1999 AAAI Fall
>on Narrative Intelligence. We have noticed that in recent years
>narrative seems to be (re-)gaining popularity in various subfields
>and beyond. We would like to get together people with interests in
>narrative stemming from various interdisciplinary excursions in
>get a broad overview of what narrative does and could mean for AI.
>As part of our symposium proposal, we need to send in a list of
>potential participants. A "potential participant" is
someone who is
>interested in attending the symposium; it does not imply any
>to actually attend. If you think this symposium might be of
>you, please email me at firstname.lastname@example.org with your name and
>affiliation. Please feel free to forward this to those you think
>I have attached a (DRAFT) symposium proposal, which outlines our
>approach to NI and our goals for this symposium. This should give
>more concrete idea of what our symposium would be about.
>Center for Art and Media Technology (ZKM)
>Institute for Visual Media
>email@example.comProposed Symposium for the AAAI 1999 Fall Symposium
>While narrative has long been a theme in AI (see, for example,
>it has recently experienced a surge of popularity. Researchers in
>various subfields, including story generation and understanding
>agent architecture  , and interface agents , have taken
>independent forays into narrative, finding it a fruitful way to
>rethink some basic issues in AI. Our goal for our proposed
>Narrative Intelligence (NI), is to bring researchers from these
>disparate perspectives together to talk about what we have learned
>about narrative and its application to AI. In particular, we would
>like to explore the issues surrounding the construction of systems
>whether story systems, agents, or in other forms --- that produce
>behavior that humans can interpret as narrative.
>Some idea of the range of these approaches can be gleaned from the
>work of the members of the organizing committee, which is
>representative, but certainly not exhaustively so, of work in this
>- Sengers  has studied how to build behavior-based believable
>agents that actively structure their behavior so as to be
>understandable by human observers. Borrowing ideas from Jerome
>Bruner's theory of narrative psychology , Sengers' system, the
>Expressivator, actively keeps track of what an agent has
>to the human participant. This knowledge is used by the agents to
>decide on transitions that maintain coherent narrative flow when
>switching between behaviors.
>- Mateas  is currently building Terminal Time, a system that
>constructs ideologically-biased documentary histories in response
>audience feedback. Terminal Time pursues a set of rhetorical goals
>constructing its ideologically biased history. These goals are
>modified as the audience responds to questions intended to
>the audience's own ideological bias. This project, a collaboration
>with documentary filmmaker Steffi Domike and interactive artist
>Vanouse, makes use of understandings of narrative in documentary
>and the arts.
>- Elliott  has built a system that, while using a fixed script,
>tells different stories by narrating the stories with different
>emotional emphases. This is an alternative to more traditional
>approaches to narrative generation which explore a combinatorial
>of primitive story elements. The emotional behavior of the
>agent is generated by the Affective Reasoner, a cognitive appraisal
>model of emotion. Elliott's work demonstrates that human
>of narrative makes use of an understanding of emotion.
>- Dautenhahn and Nehaniv  have explored the use of narrative as
>means for behavior-based agents to represent themselves by
>autobiography. Narrative structure allows an agent to selectively
>foreground different aspects of its history. Autobiographical
>can share their histories with other agents by communicating these
>- Lester  has built believable agents for educational
>that take into account pedagogical and believability constraints
>sequencing their behaviors. Similar in spirit to the work of
>these agents concern themselves with how they will be interpreted
>human observers when selecting behaviors. Lester has collaborated
>extensively with designers, artists, and animators in building his
>agents. He recognizes that the representational skills of artists
>important in building agents whose behavior can be interpreted by
>humans. Recently, Lester has also begun a project in interactive
>Generalizing from this collection of work allows us to begin
>concerns of Narrative Intelligence (NI). At its most fundamental,
>is concerned with narrative as a way of understanding the
>world. Turning experience into a story is considered by many NIers
>fundamental mode of sense-making. This idea has a long tradition in
>narrative psychology as well as in AI (see, for example, the work
>Roger Schank ).
>In various strands of NI work, several themes emerge:
>(1) *Narrative as a system design principle*: If humans often make
>of the world by assimilating it to narrative, then it makes sense
>design our systems so as to allow people to use their well-honed
>narrative skills in interpreting the system. In building systems
>primary purpose is to tell a story, such as Mateas' or Elliott's
>work, this seems obvious. But the work of Sengers and Lester points
>the utility of using narrative to structure the visible behavior of
>autonomous agents, even if the primary function of the agent is not
>tell a story. Narrative design in this sense becomes a general
>principle when building any interactive system. Such ideas have
>been discussed in the human-computer interaction (HCI) literature,
>such as in the work of Don  or Laurel .
>(2) *Narrative as a way of structuring agents*: Conversely, since
>humans make sense of the world via narrative, perhaps artificial
>systems should also employ narrative in understanding the world.
>for example, two artificial agents may want to organize their
>experience as stories they can share. Dautenhahn's and Nehaniv's
>points in this direction.
>(3) *Narrative as cross-disciplinary*: If narrative is indeed, as
>many argue, a fundamental organizing principle of human experience,
>then it is unsurprising that many different fields to have an
>in narrative. Work in NI has drawn on conceptions of narrative from
>many of these sources: *art*, in which narrative is understood as a
>form of representation; *psychology* (especially narrative
>psychology), in which narrative is thought of as a way in which
>make sense of the world; *cultural studies*, in which narrative is
>studied as a way in which a culture structures and propagates
>Scope and questions of the symposium
>One of the major goals of this symposium is to bring together
>participants from different areas both within and without AI who
>a common interest in the intersection of narrative and AI. Within
>this symposium would solicit work from, but not limited to, the
>* Story understanding
>* Story generation
>* Narrative structure in interface design
>* Narrative structure in the design of autonomous agents
>* Believable agents (insofar as they participate in narrative
>* Interactive story-telling (includes interactive drama and
>In addition, because NI researchers have drawn deep inspiration
>concepts of narrative from other disciplines, we hope to broaden
>solidify our understanding of narrative by including several
>participants from other research traditions, including:
>* Narrative psychology
>* Narrative theory
>* Cultural studies
>Submissions from outside AI will be selected according to their
>relevance for illuminating the connections between narrative and
>This symposium hopes to address questions such as the following:
>* What role does or should narrative play in the design of
>* What models of narrative are appropriate in the design of
>* Is the appropriateness of a model of narrative a function of the
>of the interactive system? If so, what associations exist between
>narrative and interactive systems?
>* How do humans make narrative sense of the world and of
>* What sorts of narrative experiences are possible in interactive
>* What AI architectures are appropriate for generating and
>* What role does or could narrative play within AI research?
>Structure of the symposium
>Submissions of a length of 3-5 pages will be solicited. A subset
>these submissions will be selected for presentation to the group.
>One of the criterion of selection will be ensuring that a sample of
>from different disciplinary perspectives is presented.
>At the beginning of the symposium, a sheet will be handed out
>providing one paragraph descriptions of the work and interests of
>symposium goers (whether they are presenting or not). This will
>hopefully facilitate one-on-one conversation by allowing people to
>find others with similar interests.
>Time will be set aside for breakout groups to discuss specific
>topics. A set of potential topics will be created by the organizing
>committee in response to the submissions received. The actual
>chosen will depend on the interests of the people at the symposium,
>indicated by their presentations and questions. The breakout groups
>will present a summary of their discussions to the whole
>Finally, a demo time will be set aside for people who have systems
>they would like to show.
> Bruner, J. The narrative construction of reality. Critical
>1 (1991), 1-21.
> Dautenhahn, K., and Nehaniv, C. Artificial life and natural
>International Symposium on Artificial Life and Robotics (AROB III)
>Oita, Japan, 1998), vol. 2, pp. 435-439.
> Domike, S., Mateas, M., Vanouse, P. The recombinant history
>presents: Terminal Time. Submitted to the Center for Twentieth
>Studies, Milwaukee, WI, for inclusion in a book.
> Don, A. Narrative and the interface. In The Art of
>Interface Design, B. Laurel, Ed. Addison-Wesley, Reading, MA, 1990,
>[4A] Dyer M.G., Wolf T.C., Korsin M.: Boris - An In-Depth
>of Narratives, in Proceedings of the 7th International Joint
>Conference on Artificial Intelligence, University of British
>Vancouver, Canada, 1981.
> Elliott, C., Brzezinski, J., Sheth, S., and Salvatoriello, R.
>Story-morphing in the affective reasoning paradigm: Generating
>semi-automatically for use with 'emotionally intelligent'
>agents. In Proceedings of the Second International Conference on
>Agents (New York, May 1998), K. P. Sycara and M Wooldridge, Eds.,
> Laurel, B . Computers as Theatre. Addison-Wesley, Reading, MA,
> Lester, J., Stone, B. Increasing believability in animated
>agents. In Proceedings of the First International Conference on
>Agents, February 1997, W. Lewis Johnson, Eds., ACM Press.
> Schank, R. Tell me a story: A new look at real and artificial
>Scribner, New York, 1990.
> Sengers, P. Narrative Intelligence. In: Human Cognition and
>Social Agent Technology. Ed. Kerstin Dautenhahn. John Benjamins
>Publishing Company, 1999 (Forthcoming).
> Sengers, P. Anti-Boxology: Agent Design in Cultural Context.
>PhD Thesis, Carnegie Mellon University. CMU-CS-98-151. August,
>Phoebe Sengers, co-chair
>Center for Art and Media Technology (ZKM)
>Institute for Visual Media
>phone +49 (0)721-8100-1500
>Michael Mateas, co-chair
>Department of Computer Science
>Carnegie Mellon University
>5000 Forbes Ave.
>Pittsburgh, PA 15213
>phone (412) 268-3070
>Department of Cybernetics
>University of Reading
>Whiteknights, PO Box 225
>phone +44 (0) 118-931 8218
>fax +44 (0) 118-931 8220
>Institute for Applied Artificial Intelligence
>School of Computer Science, Telecommunications, and Information
>243 South Wabash Ave.
>Chicago, IL 60604
>Department of Computer Science
>North Carolina State University
>Raleigh NC 27695-7534
>phone (919) 515-7534
>fax (919) 515-7925
>Interactive Systems Engineering
>Faculty of Engineering & Information Sciences
>University of Hertfordshire
>Hatfield, Hertfordshire AL10 9AB
>Stanford Humanities Center, Mariposa House, 546 Salvatierra Walk,
>U., Stanford CA 94305-8630
>TEL: 650-725-1516; FAX: 650-723-1895; HOME: 650-321-5061