Bibliography

Bibliographies: 2001 | 2002 | 2003 | 2004 | 2011

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Abraham, Linus K. “The Black Woman as Marker of Hypersexuality in Western Mythology: A Contemporary Manifestation in the Film ‘The Scarlet Letter.’” Journal Communication Inquiry 26:2 (April 2002): 193-214.
Social Sciences
Keywords: film | gender studies | literature—19th C | mythology | narrative | Occult Sciences | rhetoric of science | social sciences | symbolism | technology
  
Allen, Michael Patrick, and Anne E. Lincoln. Critical Discourse and the Cultural Consecration of American Films. Critical Discourse and the Cultural Consecration of American Films. Social Forces 82 (March 2004): 871-893.
Theory
Keywords: Academy Awards | culture studies | film | rhetoric of science | technology | theory
  
April, Robert S. “Representation of the Dead Body in Literature and Medical Writings during the Restoration in France (1799-1848).” Images of the Corpse: From the Renaissance to Cyberspace. Ed. Elizabeth Klaver. Madison, WI: University Wisconsin Press, 2004. 63-87.
Medicine
Keywords: Andres Serrano | autopsy | corpses | death | film | gender studies | Gustave Flaubert | Honoré Balzac | literature—19th C | medicine | philosophy | photography | social sciences | technology | visual art—19th C
  
Badley, Linda. “The Darker Side of Genius: The (Horror) Auteur Meets Freud's Theory.” In Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York: Cambridge University Press, 2004. 222-241.
Psychological & Cognitive Sciences
Keywords: film | genius | horror | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | theory
  
Banash, David. “’The Blair Witch Project’: Technology, Repression, and the Evisceration of Mimesis.” Nothing That Is: Millennial Cinema and the ‘Blair Witch’ Controversies. Eds. Sarah Lynn Higley, and Jeffren Andrew Weinstock. Detroit: Wayne State University Press, 2004. 111-123.
Psychological & Cognitive Sciences
Keywords: Daniel Myrick | Eduardo Sanchez | fear | film | hoax | horror | Occult Sciences | Psychological & Cognitive Sciences | technology
  
Benford, Gregory, and Elisabeth Malartre. “A Cyborged World.” Fantasy Science Fiction 102:2 (Feb. 2002): 113-123.
Popular Sciences
Keywords: Biological Sciences | body | cartoons | Computers & Digital Technology | cyborgs | film | neurology | popular sciences | science fiction
  
Berrettini, Mark. “Can ‘We All’ Get Along? Social Difference, the Future, and Strange Days.” Camera Obscura 17:50 (May 2002): 155-190.
Popular Sciences
Keywords: apocalypse | film | popular sciences | science fiction | social sciences | technology
  
Boisseau, Tracey Jean. White Queen: May French-Sheldon and the Imperial Origins of American Feminist Identity. Bloomington: Indiana University Press, 2004.
Social Sciences
Keywords: 20th C | colonialism | exploration discovery & travel | feminism | film | gender studies | imperialism | literature—19th | May French-Sheldon | race studies | social sciences | technology
  
Bolton, Christopher. “The Mecha's Blind Spot: Patlabor 2 and the Phenomenology of Anime.” Science Fiction Studies. 29:3 (Nov. 2002): 453-474.
Popular Sciences
Keywords: anime | film | popular sciences | robots | science fiction | technology | theory | vision | visual arts—20th C | Vivian Sobchack
  
Brenkman, John. “Freud the Modernist.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 172-97.
Psychological & Cognitive Sciences
Keywords: discourse | film | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud
  
Broderick, Mick. “Is This the Sum of Our Fears? Nuclear Imagery in Post-Cold War Cinema.” Atomic Culture: How We Learned to Stop Worrying and Love the Bomb. Eds. Scott C. Zeman, and Michael A. Amundson. Boulder: University Press Colorado, 2004. 125-49.
Popular Sciences
Keywords: culture studies | film | literature—20th C | nuclear power | physical & mathematical sciences | popular sciences | social sciences | visual art—20th C | war
  
Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. London & New York: Verso, 2002.
Technology
Keywords: architecture | film | technology | visual arts--20th C
  
Buhler, Stephen M. Shakespeare in the Cinema: Ocular Proof. Cultural Studies in Cinema/Video. Albany: State University New York Press, 2002.
Technology
Keywords: film | technology | William Shakespeare
  
Bukatman, Scott. Garbage: The Stuff Dreams Are Made Of: Response to Michael Shanks, David Platt, and William L. Rathje. Modernism/modernity 11 (January 2004): 85-87.
Popular Sciences
Keywords: film | garbage | popular sciences | science fiction | technology
  
Burt, Richard. “Slammin' Shakespeare In Acc(id)ents Yet Unknown: Liveness, Cinem(edi)a, and Racial Dis-integration.” Shakespeare Quarterly 53.2 (2002): 201-226.
Social Sciences
Keywords: film | race studies | social sciences | William Shakespeare
  
Cantor, Joanne. "I'll Never Have a Clown in My House"--Why Movie Horror Lives On. Poetics Today 25, (Summer 2004): 283-304.
Technology
Keywords: emotions | fantasy | fear | film | horror | memory | Psychological & Cognitive Sciences | realism | technology
  
Carroll, Noë. “Afterword: Psychoanalysis and the Horror Film.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 255-270.
Psychological & Cognitive Sciences
Keywords: film | horror | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud
  
Clark, Stephanie Brown. “Frankenflicks: Medical Monsters in Classic Horror Films.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 129-148.
Medicine
Keywords: bioethics | Computers & Digital Technology | euthanasia | film | health | horror | Jack Kevorkian | journalism | medicine | social sciences | technology | television
  
Cohen, Jack. “Is Biology Science?” Biologist 49:4 (Aug. 2002): 188.
Popular Sciences
Keywords: Biological Sciences | film | popular sciences | science fiction | theory
  
Coplan, Amy B. "Empathic Engagement with Narrative Fiction Film: An Explanation of Spectator Psychology." Ph.D. Dissertation: Emory University, 2003.
Literature, Science & the Arts
Keywords: aesthetics | culture studies | empathy | film | morality | narrative | psychological and cognitive sciences | social sciences
  
Creed, Barbara. “Freud's Worst Nightmare: Dining with Dr. Hannibal Lector.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 188-204.
Psychological & Cognitive Sciences
Keywords: film | horror | nightmares | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | technology
  
Crogan, Patrick. “Blade Runners: Speculations on Narrative and Interactivity.” South Atlantic Quarterly 101:3 (2002): 639-657.
Technology
Keywords: cloning | film | genetics | narration | technology
  
Cubitt, Sean. “Delicatessen: Eco-Apocalypse in the New French Science Fiction Cinema.” In Sardar (Collections): pp. 18—33. [2002]
Environmental Sciences
Keywords: apocalypse | ecology | environmental sciences | film | Jűgen Habermas | Jean-Pierre Jeunet | literature—20th C | Marc Caro | popular sciences | technology
  
Davison, Annette. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s. Aldershot, Hants, England & Burlington, VT: Ashgate, 2004.
Social Sciences
Keywords: culture studies | David Lynch | Derek Jarmason | film | Jean Luc Godard | music | social sciences | theory
  
Denisoff, Dennis. Sexual Visuality from Literature to Film, 1850-1950. New York: Palgrave Macmillan, 2004.
Social Sciences
Keywords: 20th C | 20th C | Alfred Hitchcock | Daphne Du Maurier | film | Fritz Lang | gender studies | literature—19th | Mary Braddon | Oscar Wilde | Otto Preminger | sexuality | social sciences | technology | Vernon Lee | Virginia Woolf | visual art—19th | Wilkie Collins
  
Dimitrakaki, Angela, and Milton Tsiantis. “Terminators, Monkeys and Mass Culture: The Carnival of Time in Science Fiction Films.” Time & Society 11:2 (Sept. 2002): 209-231.
Popular Sciences
Keywords: capitalism | fantasy | film | Mikhail Bakhtin | narrative | politics | popular sciences | science fiction | technology | theory | time
  
Doane, Mary Ann. Pathos and Pathology: The Cinema of Todd Haynes. Camera Obscura 19.3 (2004): 1-21.
Social Sciences
Keywords: culture studies | film | gender studies | pathos | psychology and cognitive sciences | Sigmund Freud | social sciences | technology | Todd Haynes | visual art: 20th C
  
Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge: Harvard University Press, 2002.
Physical & Mathematical Sciences
Keywords: film | modernity | physical and mathematical sciences | technology | time
  
Dollinger, Roland. "Technology and Nature: From D_blin's 'Berge Meere Und Giganten' to 'A Philosophy of Nature.'" A Companion to the Works of Alfred D_blin. Studies in German Literature, Linguistics, and Culture. Eds. Roland Dollinger, Wulf Koepke, and Heidi Thomann Tewarson. Rochester, NY: Camden House, 2003.
Literature, Science & the Arts
Keywords: Alfred D_blin | Biological Sciences | drama | film | G_nter Grass | literature--20th C | narrative | radio | radio | religion
  
Donaldson, Peter S. “Cinema and the Kingdom of Death: Loncraine's Richard III.”Shakespeare Quarterly 53:2 (2002): 241-259.
Technology
Keywords: death | drama | film | technology | William Shakespeare
  
Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002]
Technology
Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | technology | William Shakespeare
  
Donaldson, Peter S. “’Two of Both Kinds’: Modernism and Patriarchy in Peter Hall’s A Midsummer Night’s Dream.” In Starks (Collections): pp. 43-58. [2002]
Theory
Keywords: Bertolt Brecht | D.H. Lawrence | drama | film | Jean-Luc Godard | literature—20th C | Peter Hall | theory | William Shakespeare
  
Egerton, Katherine Elizabeth. "'Sick in Twos and Threes and Fours': Representation, Redemption, and Mental Illness in Arthur Miller's Later Plays." Ph.D. Dissertation: University North Carolina, Chapel Hill, 2003.
Literature, Science & the Arts
Keywords: Arthur Miller | disease | drama | film | gender studies | hysteria | insanity | medicine | psychological and cognitive sciences | social sciences
  
Elleström, Lars. Divine Madness: On Interpreting Literature, Music, and the Visual Arts Ironically. Lewisburg, PA: Bucknell University Press, 2002.
Psychological & Cognitive Sciences
Keywords: allegory | ambiguity | Charles Dickens | Charles Dickens | Cleanth Brooks | deconstruction | Dmitry Shostakovich | drama | Eduard Hanslick | film | Friedrich Schlegel | hermeneutics | humor | hyperbole | irony | Linda Hutcheson | literature--general | Ludwig von Beethoven | Marcel Duchamp | metaphor | music | mysticism | myths | paradox | parody | postmodernism | psychological and cognitive sciences | René Magritte | rhetoric of science | Rudolf Arnheim | sarcasm | satire | semiotics | Socrates | Søren Kierkegaard | surrealism | symbolism | visual arts—general | William Shakespeare
  
Ellis, Kathleen. “New World, Old Habits: Patriarchal Ideology in Star Wars: A New Hope.” Australian Screeen Education 30 (Spring 2002): 135-139.
Popular Sciences
Keywords: ethics | film | George Lucas | ideology | popular sciences | science fiction | social sciences
  
Ershova-Darras, Eugenia Zoltanovna. "L'adaptation Cinematographique des Oeuvres Litteraires (l'Exemple de Dostoievski)." Ph.D. Dissertation: Rice University, 2003.
Literature, Science & the Arts
Keywords: adaptation, | aesthetics | Denys Arcand | expressionism | film | Fyodor Dostoyevsky | Gearard Genette | narrative | Pierre Chenal | praxis | pride | Robert Bresson | solitude | theory
  
Falkenberg, Merrill Brooke. Circuits of Exchange: The Myth of Interactivity in Video Art. Ph.D. Dissertation: Stanford University, 2002.
Technology
Keywords: Bill Biola | body art | Bruce Nauman | cameras | computers | conceptual art | Dan Graham | film | Gary Hill | Joan Jonas | Martha Rosler | minimalism | museums | performance art | Peter Campus | postmoderinism | technology | video | visual arts--20th C | Vito Acconci
  
Farnsworth, Rodney. The Infernal Return: The Recurrence of the Primordial in Films of the Reaction Years, 1977-1983. Westport, CN: Praeger, 2002.
Biological Sciences
Keywords: Biological Sciences | evolution | film | myth | popular sciences
  
Feng, Peter X. “False and Double Consciousness: Race, Virtual Reality and the Assimilation of Hong Kong Action Cinema in The Matrix.” In Sardar (Collections): pp. 149-163. [2002]
Social Sciences
Keywords: film | Jean-Louis Baudry | Keanu Reeves | literature—20th C | popular science | Psychological & Cognitive Sciences | race studies | social sciences | technology | virtual reality
  
Flood, Timothy Edward. Changing Voices: Teaching the History of Rhetoric Through Film. Ph.D. Dissertation: University North Carolina, Greensboro, 2002.
Rhetoric of Science
Keywords: Aristotle | bell hooks | film | George Lakoff | Henry James | James Joyce | Kenneth Burke | linguistics | literature--20th C | Mark Johnson | Marshall McLuhan | metaphor | Miguel de Cervantes | Mikhail Bakhtin | mythology | narrative | Paulo Freire | pedagogy | rhetoric of science | symbolism | technology | Thomas Kuhn | Walter Ong
  
Frank, Scott David. "Lab Coats in the Dream Factory: Science and Scientists in Hollywood." Ph.D. Dissertation: University Southern California, 2003.
Literature, Science & the Arts
Keywords: culture studies | ethnography | film | narrative | popular science | rhetoric of science | social sciences | technology | television | theory
  
Franklin, Marianne. “Walter Benjamin.” In May (Collections): pp. 12-42. [2002]
Science & Technology Studies
Keywords: aesthetics | cyborgs | Donna Haraway | film | internet | Marxism | Marxism | mysticism | mythology | philosophy | photography | popular sciences | propaganda | science and technology studies | science fiction | social sciences | technology | Theodore Adorno | theory | visual arts—20th C | Walter Benjamin | war
  
Friedman, Lester D. Cultural Sutures: Medicine and Media. Durham, NC: Duke University Press, 2004.
Medicine
Keywords: film | health | journalism | mass media | medicine | rhetoric of science
  
Gabbard, Krin. Black Magic: White Hollywood and African American Culture. New Brunswick, NJ: Rutgers University Press, 2004.
Occult Sciences
Keywords: Aaron Copland | culture studies | film | gender studies | jazz | magic | Marlon Brando | music | Occult Sciences | race studies | Robert Altman | social sciences | Spike Lee | technology | Thelonious Monk
  
Galician, Mary-Lou. Sex, Love and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence. Mahwah, NJ: Lawrence Erlbaum Associates, 2004.
Social Sciences
Keywords: culture studies | film | gender studies | Love | mass media | myth | popular sciences | publishing | rhetoric of science | romance | social sciences | stereotypes | technology | theory
  
Gibbons, Luke. "The Cracked Looking Glass" Of Cinema: James Joyce, John Huston, and the Memory of ‘The Dea.’" The Yale Journal of Criticism 15:1 (2002): 127-148.
Technology
Keywords: film | James Joyce | technology
  
Gilman, Sander L. “The Fat Detective: Obesity and Disability.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 234-244.
Medicine
Keywords: disability | film | health | journalism | mass media | medicine | obesity
  
Goble, Mark Anton. Ph.D. Dissertation: Stanford University, 2002.
Technology
Keywords: aesthetics | film | gender studies | Gertrude Stein | Henry James | James Agee | James Weldon Johnson | jazz | literature--20th C | modernity | music | race studies | technology | theory | William Carlos Williams
  
Gordon, Rae Beth. “From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 93-125.
Psychological & Cognitive Sciences
Keywords: culture studies | discourse | film | imitation | literature—19th-20th C | medicine | modernism | psychoanalysis | Psychological & Cognitive Sciences | social sciences | theater
  
Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002]
Technology
Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | technology | visual arts—20th C | William Shakespeare
  
Green, Douglas E. “Shakespeare, Branagh, and the ‘Queer Traitor’: Close Encounters in the Shakespearean Classroom.” In Starks (Collections): pp. 191-211. [2002]
Theory
Keywords: drama | film | gender studies | Keanu Reeves | literature—20th C | Richard Branagh | theory | visual arts—20th C | William Shakespeare
  
Greenwald, Rachel T. “Models of Identity Exploration in Film: A Letter Without Words and How Tasty Was My Little Frenchman.” Radical History Review 83 (2002): 175-179.
Psychological & Cognitive Sciences
Keywords: film | identity | psychological and cognitive sciences | race studies | technology
  
Gunning, Tom. “In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 141-72.
Literature, Science & the Arts
Keywords: 20th C | film | gnosticism | literature—19th | modernism | photography | physiognomy | psychoanalysis | Psychological & Cognitive Studies | rhetoric of science | technology
  
Hacking, Ian . “Automatisme Ambulatoire: Fugue, Hysteria, and Gender at the Turn of the Century.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 125-41.
Literature, Science & the Arts
Keywords: 20th C | film | gender studies | literature—19th | modernism | psychoanalysis | Psychological & Cognitive Studies | rhetoric of science | social sciences | technology
  
Hallas, Roger Andrew. AIDS, Bearing Witness, and the Queer Moving Image. Ph.D. Dissertation: New York University, 2002.
Medicine
Keywords: aesthetics | AIDS | autobiography | contagion | epidemic | ethics | film | gender studies | law | medicine | narrative | pedagogy | psychoanalysis | Psychological & Cognitive Sciences | rhetoric of science
  
Hanson, Matt. The End of Celluloid: Film Futures in the Digital Age. Mies, Switzerland: RotoVision, 2004.
Technology
Keywords: Chris Cunningham | Danny Boyle | David Lync | David Lynch | film | gaming | Grant Gee | Hideo Kojima | Jonas àkerlund | Jonathan Glazer | Lars Von Trier | Matthew Barney | Mike Figgis | Peter Greenaway | Spike Jonze | technology | television
  
Hayes, Michael T., and Rhonda S. Black. "Troubling Signs: Disability, Hollywood Movies and the Construction of a Discourse of Pity." Disability Studies Quarterly 23.2 (2003): 114-32.
Literature, Science & the Arts
Keywords: disability | drama | film | Michel Foucault | pity | rhetoric of science | technology
  
Hayot, Eric, and Edward Wesp. Reading Game/Text: EverQuest, Alienation, and Digital Communities. Postmodern Culture 14 (Jan. 2004): n.p.
Computers & Digital Technology
Keywords: Computers & Digital Technology | film | gaming | genres | television | video games
  
Heffernan, Kevin. Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953-1968. Durham: Duke University Press, 2004.
Psychological & Cognitive Sciences
Keywords: culture studies | film | horror | literature—20th C | Psychological & Cognitive Sciences | Roman Polanski | Social Studies | technology | William Castle
  
Hermsen, Lisa Marie. "'No Mere Travelogue': Material-semiotic Bodies/Texts in Science, Safari, and Spectacle." Ph.D. Dissertation: Iowa State University, 2003.
Literature, Science & the Arts
Keywords: anthropology | Bruno Latour | culture sciences | discourse | Donna Haraway | ethnography | exploration, discovery, and travel | film | Martin Johnson | Mary Louise Prat | Osa Johnson | pedagogy | rhetoric of science | safari | semiotics | social sciences | tropes
  
Higley, Sarah L., and Jeffrey Andrew Weinstock. Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Detroit: Wayne State University Press, 2004.
Psychological & Cognitive Sciences
Keywords: Daniel Myrick | Eduardo Sanchez | fear | film | hoax | horror | Occult Sciences | Psychological & Cognitive Sciences | technology
  
Hills, Matt. “Doing Things with Theory: From Freud's Worst Nightmares to (Disciplinary) Dreams of Horror's Cultural Value.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York: Cambridge University Press, 2004. 205-221.
Psychological & Cognitive Sciences
Keywords: culture studies | film | horror | nightmares | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | social sciences | theory
  
Hills, Matt. Fan Cultures. London; New York: Routledge, 2002.
Psychological & Cognitive Sciences
Keywords: film | psychological and cognitive sciences | social sciences | technology | television
  
Holderness, Graham. Visual Shakespeare: Essays in Film and Television. Hatfield, UK: University Hertfordshire Press, 2002.
Technology
Keywords: film | technology | television | William Shakespeare
  
Holmlund, Chris. Impossible Bodies: Feminity and Masculinity at the Movies. London; New York: Routledge, 2002.
Social Sciences
Keywords: film | gender studies | race studies | social sciences | technology
  
Hotchkiss, Lia M. “The Incorporation of Word as Image in Peter Greenaway’s Prospero’s Books.” In Starks (Colletions): pp. 95-120. [2002]
Rhetoric of Science
Keywords: drama | film | literature—20th C | Peter Greenaway | rhetoric of science | technology | visual arts—20th C | William Shakespeare
  
Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002]
Technology
Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | technology | utopias | visual arts—20th C | William Shakespeare
  
Howlett, Kathy M. “Utopian Revisioning of Falstaff’s Tavern World: Orson Welles’s Chimes at Midnight and Gus Van Sant’s My Own Private Idaho.” In Starks (Collections): pp. 165-190. [2002]
Theory
Keywords: drama | film | gender studies | Gus Van Sant | literature—20th C | Orson Welles | theory | utopias | visual arts—20th C | William Shakespeare
  
Jermyn, Deborah. “’You Can't Keep a Dead Woman Down’: The Female Corpse and Textual Disruption in Contemporary Hollywood.” Images of the Corpse: From the Renaissance to Cyberspace. Ed. Elizabeth Klaver. Madison, WI: University Wisconsin Press, 2004.153-168.
Medicine
Keywords: death | film | literature—20th C | medicine | rhetoric of science | technology
  
Joravsky, David. “Between Science and Art: Freud versus Schnitzler, Kafka, and Musil.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford. CA: Stanford University Press, 2004. 277-98.
Psychological & Cognitive Sciences
Keywords: Arthur Schnitzler | discourse | film | Franz Kafka | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | Robert Musil | Sigmund Freud
  
Karim, Karim H. “Jacques Ellul.” In May (Collections): pp. 65-86. [2002]
Science & Technology Studies
Keywords: anarchy | film | George Szanto | internet | Jacques Ellul | Marxism | philosophy | propaganda | Psychological & Cognitive Sciences | radio | religion | science and technology studies | social sciences | technology | utopia
  
Kimball, A. Samuel. “Conceptions and Contraceptions of the Future: Terminator 2, The Matrix, and Alien Resurrection.” Camera Obscura 17:50 (May 2002): 69-108.
Popular Sciences
Keywords: Biological Sciences | conception | extinction | film | metaphor | photography | popular sciences | science fiction | symbolism | technology | theory
  
Kinyon, Kamila. “Laughter in Zamiatin's We: Passageways into the Irrational.” Extrapolation 43:2 (Summer 2002): 204-218.
Popular Sciences
Keywords: Darko Suvin | estrangement | Evgenii Ivanovich Zamiatin | film | humor | laughter | popular sciences | rhetoric of science | science fiction | semiotics
  
Landon, Brooks. “Synthespians, Virtual Humans, and Hypermedicineia: Emerging Contours of Post-SF Film.” In Hollinger (Collections): pp. 57-73. [2002]
Biological Sciences
Keywords: Biological Sciences | film | popular sciences | science fiction | technology | virtual reality
  
Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.
Social Sciences
Keywords: culture studies | film | Holocaust | literature—20th C | memory | modernity | narrative | Psychological & Cognitive Sciences | race studies | social sciences | technology
  
Lanier, Douglas M. “Shakescorp Noir.” Shakespeare Quarterly 53:2 (2002): 157-180.
Technology
Keywords: film | postmodernism | technology | William Shakespeare
  
Lehmann, Courtney. “Crouching Tiger, Hidden Agenda: How Shakespeare and the Renaissance Are Taking the Rage Out of Feminism.” Shakespeare Quarterly 53:2 (2002): 260-279.
Social Sciences
Keywords: film | gender studies | literature--Renaissance | social sciences | William Shakespeare
  
Lehmann, Courtney. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca, NY; London: Cornell University Press, 2002.
Technology
Keywords: drama | film | technology | William Shakespeare
  
Levitt, Deborah. ZoeTropes: Cinema, Literature, and the Modernity of the Living Picture. Ph.D. Dissertation: University Southern California, 2004.
Technology
Keywords: aesthetics | Antonin Artaud | Carl Theodor Dreyer | Djuna Barnes | ethics | film | health | literature—20th C | medicine | narrative | popular sciences | race studies | social sciences | technology | war
  
Linville, Susan Elizabeth. History Films, Women, and Freud's Uncanny. Austin: University Texas Press, 2004.
Psychological & Cognitive Sciences
Keywords: aesthetics | anxiety | film | gender studies | literature-20th C | nostalgia | Oliver Stone | Psychological & Cognitive Sciences | Sigmund Freud | social sciences | technology
  
Lipkin, Steven N. Real Emotional Logic: Film and Television Docudrama as Persuasive Practice. Carbondale: Southern Illinois University Press, 2002.
Rhetoric of Science
Keywords: documentaries | emotions | film | logic | Psychological & Cognitive Sciences | rhetoric of science | technology | television
  
Little, Michael. Novel Affirmations: Defending Literary Culture in the Fiction of David Foster Wallace, Jonathan Franzen, and Richard Powers. Ph.D. Dissertation: Texas A&M University, 2004.
Social Sciences
Keywords: authority | culture studies | David Foster Wallace | film | genre studies | irony | Jonathan Franzen | radio | Richard Powers | social sciences | technology | television | transcendence
  
Loughlin, Gerard. Alien Sex: The Body and Desire in Cinema and Theology. Malden, MA: Blackwell Pub., 2004.
Social Sciences
Keywords: André Bazin | Christopher Nolan | culture studies | Derek Jarman | desire | film | gender studies | Hans Urs von Balthasar | Karl Barth | Leo Bersani | Levinas | literature—20th C | literature—classic | Nicolas Roeg | Plato | sexuality | social sciences | Stanley Kubrick | technology | theology
  
Lucanio, Patrick, and Gary Coville. Smokin' Rockets: The Romance of Technology in American Film, Radio and Television, 1945-1962. Jefferson, NC: McFarland & Co., 2002.
Technology
Keywords: film | popular sciences | radio | rocketry | science fiction | technology | television
  
Mai, Joseph. Lost Order: Repercussions of Secularization on Literary and Film Rhetoric. Ph.D. Dissertation: Yale University, 2004.
Theory
Keywords: Alfred Dreyfus | Charles Péguy | fantasy | film | Georges Bernanos | literature—20th C | race studies | realism | rhetoric of science | Robert Bresson | secularization | social sciences | socialism | technology | theory | truth | utopia
  
Mair, Jan. “Rewriting the ‘American Dream’: Postmodernism and Otherness in Independence Day.” In Sardar (Collections): pp. 34-50. [2002]
Psychological & Cognitive Sciences
Keywords: Discover | exploration discovery & travel | film | H.G. Wells | literature—20th C | popular sciences | postmodernism | psychological and cognitive sciences | social sciences | technology
  
Martin, Jay. “Modernism and the Specter of Psychologism.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 352-67.
Psychological & Cognitive Sciences
Keywords: discourse | film | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | psychologism
  
Mather, Philippe. “Figures of Estrangement in Science Fiction Film.” Science Fiction Studies 29:2 (July 2002): 186-201.
Popular Sciences
Keywords: estrangement | film | popular sciences | science fiction | social sciences | technology
  
Matz, Jesse. “T. E. Hulme, Henri Bergson, and the Cultural Politics of Psychologism.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, Ca: Stanford University Press, 2004. 339-52.
Psychological & Cognitive Sciences
Keywords: culture studies | discourse | film | Henri Bergson | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | psychologism | social sciences | T. E. Hulme
  
Mayhall, Laura E. Nym. “Teaching British Cinema History as Cultural History.” Radical History Review 83 (2002): 193-197.
Social Sciences
Keywords: culture | film | pedagogy | social sciences | technology
  
Mayhall, Laura E. Nym. “Teaching British Cinema History as Cultural History.” Radical History Review. 83 (2002): 193-197.
Social Sciences
Keywords: culture | film | pedagogy | social sciences | technology
  
Mazierska, Ewa. The Cinema of Nanni Moretti: Dreams and Diaries. London & New York: Wallflower, 2004.
Psychological & Cognitive Sciences
Keywords: biography | diary | dreams | film | gender studies | irony | postmodernism | Psychological & Cognitive Sciences | Sociological Sciences | technology | theory | tragicomedy
  
McCandless, David. “A Tale of Two Tituses: Julie Taymor's Vision on Stage and Screen.” Shakespeare Quarterly 53:4 (2002): 487-511.
Psychological & Cognitive Sciences
Keywords: drama | film | horror | psychological and cognitive sciences | trauma | William Shakespeare
  
McCarthy, Kevin F. From Celluliod to Cyberspace: The Media Arts and the Changing Arts World. Santa Monica, CA: Rand Corporation, 2002.
Computers & Digital Technology
Keywords: art—20th C | computers and digital technology | film | TECH | video
  
McEntee, Jason T. The Beleaguered Patriot: Warriors, Domestic Space, and American Movies, 1979-1999. Ph.D. Dissertation: University Kentucky, 2004.
Technology
Keywords: culture studies | Don DeLillo | film | gender studies | literature—20th C | patriotism | social sciences | technology | war
  
Metzl, Jonathan M. “The Pharmaceutical Gaze: Psychiatry, Scopophilia, and Psychotropic Medication Advertising 1964-1985.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 15-35.
Medicine
Keywords: film | health | journalism | mass media | medicine | technology
  
Meyer, Steven. “Writing Psychology Over: Gertrude Stein and William James”. The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 250-77.
Psychological & Cognitive Sciences
Keywords: discourse | film | Gertrude Stein | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences | William James
  
Micale, Mark S. “Discourses of Hysteria in Fin-de-Siecle France.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford: Stanford University Press, 2004. 71-93.
Literature, Science & the Arts
Keywords: 20th C | film | literature—19th | modernism | psychoanalysis | Psychological & Cognitive Studies | rhetoric of science | technology
  
Micale, Mark S., ed. The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Stanford, CA: Stanford University Press, 2004.
Psychological & Cognitive Sciences
Keywords: film | literature-19-20th C | literature—19th-20th C | modernism | psychoanalysis | Psychological & Cognitive Sciences
  
Monnet, Livia. “Towards the Feminine Sublime, or the Story of ‘ATwinkling Monad, Shape-shifting across Dimension’: Intermediality, Fantasy and Special Effects in Cyberpunk Film and Animation.” Japan Forum 14:2 (Sept. 2002): 225-268.
Popular Sciences
Keywords: aesthetics | Andy Wachowski | animation | cyberpunk | fantasy | film | gender studies | Larry Wachowski | Oshii Mamoru | popular sciences | Psychological & Cognitive Sciences | science fiction | theory | visual arts—20th C
  
Moss, Stephanie. “’Dracula and The Blair Witch Project: The Problem with Scientific Empiricism.’” Nothing That Is: Millennial Cinema and the Blair Witch Controversies. Ed. David Banash. Detroit: Wayne State University Press, 2004. 197-215.
Psychological & Cognitive Sciences
Keywords: film | horror | Occult Sciences | Psychological & Cognitive Sciences | technology | vampires
  
Nero, Charles Isidore. Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation. Camera Obscura 19.2 (2004): 46-73.
Social Sciences
Keywords: film | gender studies | music | nationalism | opera | race studies | redemption | social sciences | technology
  
Nielsen, Katherine. "Knowledge, Discovery, Violence, and Ethics: Technique Embodied in Martial Arts and Physics in the Nuclear Age." Ph.D. Dissertation: University California, Los Angeles, 2003.
Literature, Science & the Arts
Keywords: culture studies | cyborgs | film | gender studies | knowledge | literature-classic | mentorship | nuclear power | physical and mathematical sciences | politics | popular science | postcolonialism | social sciences | technology | theory
  
Noonan, Bonnie Jo. "'Science in Skirts': Representations of Women in Science in the 'B' Science Fiction Films of the 1950s." Ph.D. Dissertation: Louisiana State University Agricultural Mechanical College, 2003.
Literature, Science & the Arts
Keywords: culture studies | film | gender studies | popular science | science fiction | social sciences | theory
  
Norden, Martin F. “Reproductive Freedom, Revisionist History, Restricted Cinema: The Strange Case of Margaret Sanger and Birth Control.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 263-279.
Medicine
Keywords: birth control | film | health | journalism | Margaret Sanger | mass media | medicine | reproduction | technology
  
Osborne, Laurie E. “Clip Art: Theorizing the Shakespeare Film Clip.” Shakespeare Quarterly 53:2 (2002): 227-240.
Theory
Keywords: film | pedagogy | technology | theory | William Shakespeare
  
Paul, William. “'What Does Dr. Judd Want?': Transformation, Transference and Divided Selves in Cat People.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 159-176.
Psychological & Cognitive Sciences
Keywords: film | horror | identity | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud | transference | transformation
  
Petro, Petrice. Aftershocks of the New: Feminism and Film History. New Brunswick, NJ: Rutgers University Press, 2002.
Social Sciences
Keywords: film | gender studies | social sciences | technology
  
Picart, Caroline Joan. The Cinematic Rebirths of Frankenstein: Universal, Hammer, and Beyond. Westport, CN: Praeger, 2002.
Biological Sciences
Keywords: Biological Sciences | film | Frankenstein | Mary Shelley | popular sciences
  
Podeschi, Christopher W. “The Nature of Future Myths: Environmental Discourse in Science Fiction Film, 1950-1999.” Sociological Spectrum 22:3 (Jul. 2002): 251-297.
Popular Sciences
Keywords: discourse | ecology | environmental sciences | film | myths | narrative | nature | popular sciences | rhetoric of science | science fiction | social sciences | technology | theory
  
Price, Stephen. “Violence and Psychophysiology in Horror Cinema.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 241-254.
Psychological & Cognitive Sciences
Keywords: Biological Sciences | film | horror. Psychoanalysis | Psychological & Cognitive Sciences | psychophysiology | Sigmund Freud | violence
  
Rainey, Lawrence. “Shock Effects: Marinetti, Pathology, and Italian Avant-Garde Poetics.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 197-217.
Psychological & Cognitive Sciences
Keywords: discourse | Filippo Tommaso Emilio Marinetti | film | literature—19th-20th C | modernism | pathology | poetics | poetry | psychoanalysis | Psychological & Cognitive Sciences | theory
  
Redmond, Dennis. The World is Watching: Video as Multinational Aesthetics, 1968-1995. Carbondale: Southern Illinois University Press, 2004.
Technology
Keywords: aesthetics | culture studies | ethnic studies | film | gaming | gender studies | Hideaki Anno | Krzysztof Kieslowski | literature—20th C | Patrick McGoohan’ | popular science | science fiction | social sciences | technology | television | theory | video
  
Reynolds, Bryan. “Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare.” In Starks (Collections): pp. 143-164. [2002]
Occult Sciences
Keywords: Charles Manson | drama | film | Gilles Deleuze | literature—20th C | Occult Sciences | Roman Polanski | technology | visual arts—20th C | William Shakespeare | witchcraft
  
Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002]
Technology
Keywords: drama | film | literature—20th C | Svend Gade | technology | William Shakespeare
  
Rothwell, Kenneth S. “Hamlet in Silence: Reinventing the Prince on Celluloid.” In Starks (Collections): pp. 25-42. [2002]
Theory
Keywords: drama | film | literature—20th C | Svend Gade | theory | William Shakespeare
  
Schneider, Steven J., ed. Horror Film and Psychoanalysis: Freud's Worst Nightmare. New York: Cambridge University Press, 2004.
Technology
Keywords: film | horror | nightmares | Psychological & Cognitive Sciences | Sigmund Freud | technology
  
Schneider, Steven Jay. “Introduction: Psychoanalysis in/and/of the Horror Film,” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004.1-16.
Psychological & Cognitive Sciences
Keywords: film | horror | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud
  
Schroeder, Andrew Irwin. Tsui Hark's “Zu: Warriors from the Magic Mountain.” Hong Kong: Hong Kong University Press, 2004.
Technology
Keywords: culture studies | ethnic studies | film | social sciences | technology
  
Shapiro, Jerome Franklin. Atomic Bomb Cinema: The Apocalyptic Imagination on Film. New York: Routledge, 2002.
Physical & Mathematical Sciences
Keywords: apocalypse | film | imagination | nuclear warfare | physical and mathematical sciences | popular sciences | science fiction
  
Sichel, Kim. “Germaine Krull and ‘L’Amitré Noir’: World War Two and French Colonialist Film.“ In Sampson (Collections): pp. 257-280. [2002]
Social Sciences
Keywords: Charles De Gaulle | colonialism | Félix Eboué | film | François Villers | Jean Cocteau | photography | postcolonialism | propoganda | race studies | social sciences | war
  
Siegel, Mona L. “Germinal: Teaching about Class and Industrial Capitalism through Film.” Radical History Review 83 (2002): 180-185.
Social Sciences
Keywords: capitalism | film | industrialization | social sciences | socialism | technology
  
Silbergeld, Jerome. Hitchcock with a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China's Moral Voice. Seattle: University Washington Press, 2004.
Social Sciences
Keywords: culture studies | film | Psychological & Cognitive Sciences | race studies | social sciences | technology
  
Silver, Anna Krugovoy. “The Cyborg Mystique.” Women’s Studies Quarterly 30:1-2 (Spring/Summer 2002): 60-76.
Popular Sciences
Keywords: Betty Friedan | Brian Forbes | film | gender studies | popular sciences | science fiction
  
Smith, Angela Marie. "'Hideous progeny': Eugenics, disability, and classic horror cinema." Ph.D. Dissertation: University Minnesota, 2003.
Literature, Science & the Arts
Keywords: Biological Sciences | blindness | culture studies | determinism | disability | electricity | eugenics | film | horror | id | identity | literature--20th C | medicine | metaphor | monsters | narrative | physiognomy | popular science | psychological and cognitive sciences | social sciences | technology | X-ray
  
Stamp, Shelley. Lois Weber, Progressive Cinema, and the Fate of ‘The Work-a-Day Girls’ in Shoes. Camera Obscura 19.2 (2004): 140-169.
Technology
Keywords: class studies | film | social sciences | technology
  
Starks, Lisa S. “Cinema of Cruelty: Powers of Horror in Julie Taymor’s Titus.” In Starks (Collections): pp. 121-142. [2002]
Psychological & Cognitive Sciences
Keywords: Carol Clover | drama | film | gender studies | horror | Julia Kristeva | Julie Teymor | literature—20th C | psychological and cognitive sciences | technology | visual arts—20th C | William Shakespeare
  
Starks, Lisa S. "’Remember Me’: Psychoanalysis, Cinema, and the Crisis of Modernity.” Shakespeare Quarterly 53:2 (2002): 181-200.
Psychological & Cognitive Sciences
Keywords: film | literature--20th C | modernity | postmodernism | psychoanalysis | psychological and cognitive sciences | Sigmund Freud | William Shakespeare
  
Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002]
Technology
Keywords: drama | film | Jean Baudrillard | literature—20th C | technology | William Shakespeare
  
Starks, Lisa S., and Courtney Lehmann. “Introduction: Images of the ‘Reel’: Shakespeare and the Art of Cinema.” In Starks (Collections): pp. 9-24. [2002]
Theory
Keywords: drama | film | Jean Baudrillard | literature—20th C | theory | William Shakespeare
  
Swope, Richard. “Science Fiction Cinema and the Crime of Social-Spatial Reality.” Science Fiction Studies 29:2 (July 2002): 221-246.
Popular Sciences
Keywords: film | physical & mathematical sciences | popular sciences | postmodernism | science fiction | technology | time
  
Toews, John E. “Refashioning the Masculine Subject in Early Modernism: Narratives of Self-Dissolution and Self-Construction in Psychoanalysis and Literature, 1900—1914.” The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880-1940. Ed. Mark S. Micale. Stanford, CA: Stanford University Press, 2004. 298-339.
Psychological & Cognitive Sciences
Keywords: discourse | film | gender studies | identity | literature—19th-20th C | masculinity | modernism | narrative | psychoanalysis | Psychological & Cognitive Sciences | social sciences
  
Trahair, Lisa. “The Ghost in the Machine: The Comedy of Technology in the Cinema of Buster Keaton.” South Atlantic Quarterly 101:3 (2002): 573-588.
Technology
Keywords: Buster Keaton | comedy | film | film | technology
  
Turvey, Malcolm. “Philosophical Problems Concerning the Concept of Pleasure for Future Psychoanalytical Theories of (the Horror) Film.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York: Cambridge University Press, 2004. 68-86.
Psychological & Cognitive Sciences
Keywords: film | horror | Psychological & Cognitive Sciences
  
Turvey, Malcolm. “Philosophical Problems Concerning the Concept of Pleasure for Future Psychoanalytical Theories of (the Horror) Film.” Horror Film and Psychoanalysis: Freud's Worst Nightmare. Ed. Steven J. Schneider. New York; Cambridge University Press, 2004. 68-86.
Psychological & Cognitive Sciences
Keywords: film | horror | philosophy | pleasure | psychoanalysis | Psychological & Cognitive Sciences | Sigmund Freud
  
Vann, Michael G. “The Colonial Casbah on the Silver Screen: Using Pépé le Moko and The Battle of Algiers to Teach Colonialism, Race, and Globalization in French History.” Radical History Review 83 (2002): 186-192.
Social Sciences
Keywords: colonialism | film | gender studies | race studies | social sciences
  
Vogl, Joseph. "Zeit ohne Raum: Ein Gespräch mit Alexander Kluge." Science & Fiction: Űber Gedankenexperimente in Wissenschaft, Philosophie und Literatur. Eds. Thomas H. Macho, and Annette Wunschel. Frankfurt am Main: Fischer, 2004. 242-265.
Physical & Mathematical Sciences
Keywords: Alexander Kluge | film | film | literature—20th C | physical & mathematical sciences | popular sciences | space | technology | time | time travel
  
Wahl, Otto F. “Stop the Presses: Journalistic Treatment of Mental Illness.” Cultural Sutures: Medicine and Media. Ed. Lester D. Friedman. Durham, NC: Duke University Press, 2004. 55-69.
Medicine
Keywords: film | health | journalism | mass media | medicine | technology
  
Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002]
Technology
Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | technology | William Shakespeare
  
Walworth, Alan. “Cinema Hysterica Passio: Voice and Gaze in Jean-Luc Godard’s King Lear.” In Starks (Collections): pp. 59-94. [2002]
Theory
Keywords: drama | film | hysteria | Jacques Lacan | Jean-Luc Godard | literature—20th C | Occult Sciences | Peter S. Donaldson | theory | William Shakespeare
  
Wandtke, Terrence Ross. "'Souls upon the Screen': Psychoanalysis, the Cinema, and the Modern Literature of H.D." Ph.D. Dissertation: Saint Louis University, 2003.
Literature, Science & the Arts
Keywords: D. H. Lawrence | Ezra Pound | film | gender studies | Hilda Doolittle (H. D.) | imagism | literature--20th C | modernism | poetry | psychoanalysis | psychological and cognitive science | social sciences
  
Ward, Annalee R. Mouse Morality: The Rhetoric of Disney Animated Film. Austin: University Texas Press, 2002.
Rhetoric of Science
Keywords: film | rhetoric of science | science & technology studies | technology | Walt Disney
  
Weinstock, Jeffrey Andrew, ed. Spectral America: Phantoms and the National Imagination. Madison: University Wisconsin Press/Popular Press, 2004.
Occult Sciences
Keywords: astrology | bigfood | film | ghosts | imagination | literature—17th-20th C | Occult Sciences | paranormal | phantoms | popular sciences | psychics | religion | social sciences | specters | technology | witches
  
Yaszek, Lisa. The Self Wired: Technology and Subjectivity in Contemporary Narrative. New York: Routledge, 2002.
Technology
Keywords: androids | Biological Sciences | cybernetics | cyborgs | electronics | film | fossils | gender studies | medicine | Psychological & Cognitive Sciences | race studies | science fiction | technology